Dynamite Johnson (1978) official stills

Elwood Perez filmography

HAPPY BIRTHDAY ELWOOD!!!

Cosa Nostra Asia article 1975

Here's a rare on-the-set report from Bobby A. Suarez's 1973 kung fu actioner Cosa Nostra Asia, written by Chris Mitchum's co-star Michael Keys (the actor who plays Don Angellini!). Source: CLASH! KUNG FU magazine, UK, 1975, pp1-6

Henry Strzalkowski's Photo Album Part 1!

On the set of B-Team (c.1988), AD for Ken Watanabe starring Romano Kristoff

Me in black at the top of the stairs. Got burned a moment later! Eye Of The Eagle (dir. Cirio H. Santiago, 1986)

Where the tanks stopped - EDSA Revolution 1986. Now Robinsons' Galleria and shrine to many

EDSA barricaded, '86 Revolution. In front of Camp Crame

Nick and me, Eye Of The Eagle (1986)

Me and Ed Crick, Eye Of The Eagle

Martin Sheen on the set of Fortunes Of War (dir. Thierry Notz, 1993), being interviewed for local TV

Chuck Wagner (Automan) and me on The Sisterhood (dir. Cirio H. Santiago, 1988)

Cinex film, can't remember the title, with Jeff Weston and Darwyn Swalve

The Sisterhood

Eye Of The Eagle

Wheels Of Fire (dir. Cirio H. Santiago, 1985)

Killer Insinct (dir. Cirio H. Santaigo, 1987) as "Costello"

On the set of Platoon (dir. Oliver Stone, 1986)

Eye Of The Eagle with wardrobe head and script supervisor

Eye Of The Eagle with the late Bill Steis

Eye Of The Eagle, on location with the sixteen-inch guns of Corregidor

Eye Of The Eagle

Early morning, cold typhoon day on the set for Teddy Chiu

Roberto Gonzalez filmography

ROBERTO GONZALEZ Filmography

1965 – Titong Robin Hood (Emar Pictures)

[release date 16th August 1965, sometimes listed as “Titong Robinhood”]

Director Herminio “Butch” Bautista Screenplay Bert R. Mendoza Producer Joseph Estrada Music Ariston Avelino

Cast Chiquito (Titong Robin Hood), Imelda Ilanan, Vicente Liwinag, Rudy Regala, Larry Silva, Avel Morado, Angel Confiado, Conrado Gumin?, Marco Madero, Greg Guerrero, Ben Bernal, Sancho Tesalona, Joe Cunanan, Bobby Guanzon, Tiva Lava, Ben Dato, SOS Daredevils, “Bobby”/Roberto Gonzalez

1966 – Gintong Buddha/“Gold Buddha” [complete title: Paolo Stacatto At Ang Gintong Buddha/“Paolo Stacatto And The Gold Buddha”] (Virgo Film Productions/Emar Pictures)

Release date 20th January 1966]

Director Nilo Saez Story/Screenplay Luis Enriquez Producer Joseph Estrada

Cast Eddie Rodriguez (Paolo Stacatto), Liza Moreno, Juliet Pardo, Jose Vergara, Nello Nayo, Eddie Torrente, Roberto Gonzales, Manolo Robles, Abelardo Dacer, Darmo Orbase, Dante Leynes, Bert Dumaran, Cris Cruz, Mike Lozano, Phil de Pano, Joe Sison, Gabby Paile?, Chona Delgado, Seikichi Iha, Roland Gonzales, RG Karate Boys, Commando Self-Defense Karate Boys

1966 – Cobra (Virgo Films)

[release date 9th August 1966]

Director Nilo Saez Story/Screenplay Luis Enriquez Based on the radio serial by Eddie Naval Music Carlos Rodriguez

Cast Eddie Rodriguez (Cobra), Willie Sotelo, Renato Robles, Martin Marfil, Eddie Torrente, Roberto Gonzalez, Vince Juarez, Vera Vargas, Bernardo Belleza, Cecilia Lopez, Jose Vergara, Ramon Yulo, Joe Sison

1966 - Hari Ng Karate/“King Of Karate” (Libra/Taurus Productions)

[release date 2nd October 1966]

Director/Screenplay Sol Gaudite

Cast Roberto Gonzalez, Carlos Padilla Jr, Josephine Estrada, Merle Fernandez, Martin Marfil, Eddie Torrente, Lyn D’Arce, Anna Ledesma

1967 – Judo Karate Matador (JBC Productions)

[release date 16th January 1967]

Director Solano Gaudite

Cast Roberto Gonzalez, Rolando Gonzalez, Imelda Olanan, Anna Ledesma, Marco Antonio, Val Magno, Eddie Torrente, Flor Bien, Charito Soliman

1967 – Master Fighter (Bataan Film Productions)

[release date 14th April 1967]

Director/Story/Screenplay Solano Gaudite Executive Producer Mariano Bermejo Jr Music Juan Silos Jr

Cast Roberto Gonzalez, Liberty Ilagan, Johnny Monteiro (Leon Desperado), Eddie Torrente (Carlos Vengador), Anna Ledesma, Rod Felix, Jose Garcia, Bert Olivar, Larry Silva, Ben Perez, Carlos Padilla Jr, Andy Garchitorena, Martin Marfil, Itoy Victoria, Chito Reyes, Rocco Montalban, Ruben Ramos, Tony Villar, Flor Bien, Ernie White, Nort Nepomuceno, Johnny Caranza, Fao Ying, Protacio “Dy”/Dee, Crisostomo Cruz, Frank Zarate, Raquel Gordon

1967 – Digmaan Sa Karate/“Karate War” (Taurus Productions/Libra Film Corp)

[release date 24th May 1967]

Director Solano Gaudite Screenplay Chito Tapawan, Jose Mesina Music D’Amarillo

Cast Roberto Gonzales, Liberty Ilagan, Eddie Torrente, Tony Villar, Val Magno, Frank Zarate, Ernie White, Johnny Carranza, Chris “Buddha” Cruz, Chua Piak Son, Suan Tieng, Protacio Dee, Tessie Concepcio, Magna Gonzalez

1967 – Berdugo Ng Mga Hari/ “Professional Killer” (Taurus Productions/Libra Film Corp)

[release date 8th August 1967]

Director Leo Sun Screenplay Sol Gaudite

Cast Roberto Gonzales, Merle Fernandez, Tessie Concepcion, Raquel Gordon, Eddie Torrente, Protacio Dee, Ernie Ortega, Johnny Caranza, Fao Ying, Frank Zarate, Elmer Imperial, Tito Aquino, Bruno Punzalan, Angel Confiado, Tiva Lava, SOS Daredevils

1967 – Bertong Karate/“Bert The Karate Fighter” (Taurus Productions)

[release date 26th September 1967]

Director Solano Gaudite Music D’Amarillo

Cast Roberto Gonzales, Liberty Ilagan, Rolando Gonzales, Eddie Torrente, Eddie White, Boy Torrente, Frank Zarate, Carmen Romasanta, Andres Albo, Roque Gordon, Tony Pomuceno, Lulubelle Reyes, Lelet Poniente

1967 – Pambihirang Pito/“Impossible Seven” (JBC Productions)

[release date 16th December 1967]

Director Romy Villaflor Story/Screenplay Ben Feleo Music D’Amarillo, Merry Diamonds

Cast Roberto Gonzalez, Sofia Moran, Marissa Delgado, Lucita Soriano, Rodolfo “Boy” Garcia, Rocco Montalban, Nort Nepomuceno, Protacio Dee, Boy Chico, Eddie Gallegos, Rolando “Gonzalez”/Gonzales, Anthony Barredo, Silvio Ramiro, Jose Garcia, Fred Param, Amado Brillantes, Nestor Brillantes, Girlie Simmons

1967 – Magnificent Brothers (Libra Films Corp)

[release date unknown]

Director Solano Gaudite

Cast Roberto Gonzalez, Rolando Gonzalez, Carlos Padilla Jr, Merle Fernandez, Martin Marfil, Marilou Ver, Eddie Torrente, Carmen Romasanta, Andy Garchitorena, Anna Ladesma, Flor Bien, Jerry Pons

1968 - Deadly Trio (Taurus Productions)

[release date 17th January 1968]

Director/Writer Solano Gaudite

Cast Roberto Gonzalez, Eddie Torrente, Rubi Rosa, Miyamoto Katsu, Magna Gonzales, One-Eyed Tahamuru, Katsumi Tanaka, Tsugawa Nagato, Kenyayama Mto, Rolando Gonzales, Elvira Gonzales

1968 - Hari Ng Slums/”King of the Slums” (Taurus Productions)

[release date 8th March 1968]

Director Solano Gaudite Screenplay Jun Urbano

Cast Roberto Gonzalez, “Elvie”/Elvira Gonzales, Stella Suarez, Eddie Torrente, Tony Villar, Rolando Gonzalez

1968 - Battle Of Champions (Fe'mil Productions)

[release date 18th May 1968]

Director Armando A. Herrera Producer Femy Rillo Music Tito Arevalo

Cast Roberto Gonzalez, Alona Alegre, Lyn D'Arce, Ariston Bautista, Eddie Gallegos, Johnny Carranza. Tony Pomuceno, Mat Lazaro, Bert Martinez, Bino Garcia, Eddie Fernandez, Helen Thompson

1968 - Karate, Samurai, At Pagibig/“Karate, Samurai And Love” (Taurus Productions)

[release date 16th June 1968]

Director Solano Gaudite

Cast Roberto Gonzales, Rolando Gonzales, Eddie Torrente, Magna Gonzales

1968 - Karate Commandos (JBC Productions)

[release date 2nd July 1968]

Director Armando A. Herrera Music Tito Arevalo

Cast Roberto Gonzalez, Johnny Caranza, Tito Aquino, Gina Alonza, Jun Esguerra, Nardo Casero, Anthony Barredo, Bernard Belleza, Edwin Perry, Eddie Torrente, Rolando Gonzales, Protacio Dee

1968 - Bulag Na Matador/“The Blind Matador” (Taurus Productions)

[release date 20th July 1968]

Director/Writer Solano Gaudite

Cast Roberto Gonzales, Roderick Paulate, Ernie White, Eddie Gallegos, Carmen Romasanta, Jun Esguerra, Darmo Orbase, Ernesto Almanza, Alicia Alonzo, Verna Gaston, Ernie Ortega, Boy Chico, Elmer Imperial

1968 - That Man Mr. Impossible (Tower Productions)

[release date 6th September 1968]

Director Artemio Marquez

Cast Roberto Gonzalez, Bessie Barredo, Fred Santos, Rolando Gonzales, Maria Victoria, Berting Labra, Martin Marfil, Manggay, Bert Martinez, Jing Abalos, Tony Villar, Mar Quijano

1968 – Suntok O Karate?/“A Punch Or Karate?” (Emar Pictures)

[release date 12th October 1968]

Director Augusto Buenaventura Story Bert R. Mendoza, Augusto Buenaventura Music Mike Briones Cinematography Fredy Conde

Cast Joseph Estrada, Roberto Gonzalez, George Estregan, Rolando Gonzalez, Mary Ann Murphy, Gloria Sevilla, Delia Dolor, Eddie Garcia, Vic Silayan, Jose Padilla Jr, Carlos Padilla Jr, Dely Villanueva, Ariston Bautista, Romy Diaz, Paquito Diaz, Avel Morado, Ben Dato, Marco Madero, Vic Gaza, Blanco Santos, Romy Velarde, Bert Salvador, SOS Daredevils

1968 – Ito Ang Digmann/“This Is War” (Taurus Productions)

[release date 25th October 1968]

Director Solano Gaudite Music D’Amarillo

Cast Amalia Fuentes, Roberto Gonzales, Johnny Delgado, Loretta Rocco, Bruno Punzalan, Eddie Gallegos, Ariston Bautista, Lourdes Luna, Elmer Imperial, Magna Gonzales, Rolando Gonzales, Cora Varona

1968 – Kidlat Sa Karate/ “Like Lightning In Karate” (AM Productions)

[release date 20th November 1968]

Director Ben Feleo Music Danny Holmsen

Cast Roberto Gozales, Imelda Ilanan, Lyn D’Arce, Angel Confiado, Alvaro Muhlach, Carlos Diaz, Ben Manalo, Eddie Nicart, Ernie White, Bernard Belleza, Alicja Basili, Silvio Ramiro

1968 – Chaku Judo Aikido O Karate (Taurus Productions)

[release date 12th December 1968]

Director/Story “R.G.”/Roberto Gonzalez Screenplay Johnny F. Capistrano Music “Demet”/Demetrio Velasquez

Cast Roberto Gonzalez, Josephine Estrada, Rolando Gonzales, Kenji Mifune, Protacio Dee, Dante Varona, Roger Ollano, Fao Ying, Jun Santos, Martin Marfil, Tony Villar, Ernie White, Cora Varona, SOS Daredevils

1969 – Pambihirang Tatlo/“Wonderful Three” (Larry Santiago Productions/JBC Productions)

[release date 9th January 1969]

Director Felix Villar Screenplay Antonio B. Pascua Based on the serial by Francisco V. Coching Music Tito Arevalo

Cast Roberto Gonzalez, Eddie Fernandez, Bernard Belleza, Divinia Valencia, Rodolfo “Boy” Garcia, Lito Garcia, Bobby Santiago, Larry Silva, Liza Belmonte, Ruben Ramos, Sancho Tesalona, Alex Flores, Steve Alcarado, Darmo Orbase, Armando Rinio, Robert Rivera, Mike Lozano, Jose Garcia, Bruno Punzalan, Tintoy, Boy “Chirit” Alvarez

1969 – Sagupaan!/“Encounters!” (Lea Productions)

[release date 18th February 1969]

Director/Screenplay Armando Garces Music Restie Umali

Cast Joseph Estrada, Roberto Gonzalez, Jing Abalos, Rodolfo “Boy” Garcia, Victor Bravo, Avel Morado, Lourdes Medel, Gina Alajar, Caridad Sanchez, Roderick Paulate, Mary Walter, Angel Confiado, James Dee, Chris Cruz, SOS Daredevils, Danny Rojo, Del Sol

1969 – Jungle Killers (JBC Productions)

[release date 6th March 1969]

Director Armando Herrera

Cast Roberto Gonzalez, Fred Galang, Gina Alonzo, Myra Luna

1969 – Liquidation Squad (Aladdin Productions)

[release date 26th March 1969]

Director Cesar “Chat” Gallardo Story/Screenplay Carlos Empatnado Music Demet Velasquez

Cast Roberto Gonzalez, Max Alvarado, Mel Francisco, Jose Morelos, Chito Ledesma, Sofia Moran, Eva Marie, James Dee, Eddie Nicart, Jean Santos, Skip Kraemer, Silvio Ramiro, SOS Daredevils, PMP Commandos

1969 – Ronquillo Brothers (Jacros)

[release date 24th May 1969]

Director Luis San Juan Screenplay Efren C. Pinon Music Tito Arevalo

Cast Roberto Gonzalez, Fred Galang, Sofia Moran, Verna Gaston

1969 – Target: Karate King (RG Productions)

[release date 25th July 1969]

Director/Screenplay Robert Balilla Sr Music D’Amarillo

Cast Roberto Gonzalez, Rolando Gonzalez, Liza Lorena, Verna Gaston

1969 – Karate Showdown (JBC Productions)

[release date 14th August 1969]

Director/Story Solano Gaudite Screenplay Pepe Mesinas Cinematography Enrique C. Rosales

Cast Roberto Gonzalez, Rosanna Ortiz, Jules King, James Dee, Fao Ying, Kentaru, Johnny Monteiro, Nora Aunor, Tirso Cruz III, Edgar Mortiz, Ike Lozada, Carmen Romasanta, Ernie White, Ernie Ortega, Art Veloso, Jun Santos, Jun Esguerra, Mar Quijano, Joe Andrade, Rod Francisco, Freddie Dava, Tony Villar, Jun Esguerra, Sabas San Juan, Angel Confiado

1969 - The Magic Samurai (RFJ)

[release date 12th September 1969]

Director Leody M. Diaz

Cast Roberto Gonzales, Johnny Monteiro, Dencio Padilla, Mario Escudero, Rocco Montalban, Jessette, Angela Montes, Matimtiman Cruz

1969 - Hara Ng Ninja/“Hara Of Ninja” or “Ninja Hara” (RG Productions)

[release date 28th September 1969]

Director Solano Gaudite

Cast Roberto Gonzalez, Rosanna Ortiz, Rolando Gonzales, Katsu Harada, Kurosawa Koryo, Kimura Osaka, Okawa Tora, Sato Maru, Marissa Delgado, Bruno Punzalan, Rocco Montalban, Efren Montes

1969 – Sino Sa Dalawa?/“Who Among The Two?” (Larry Santiago Productions)

[release date 2nd November 1969]

Director Pablo Santiago Screenplay Tommy C. David Music Pablo Vergara Cinematography Jose Batac Jr

Cast Roberto Gonzalez, Vic Vargas, Mary Ann Murphy

1969 – Bertong Ipu-Ipo/“Both XX” (Gilbert Roland Productions/Empress Pictures)

[release date 29th November 1969]

Director Artemio Marquez Story/Screenplay Rico Bello Omagap Music D’Romenz

Cast Roberto Gonzalez, Jessica, Danny Rojo, Joaquin Pajardo, Leon Pajaron, Steve Alcarado, Mar Quijano, Bert Vivar, Er “Canton” Salazar, Julio Licmo, Jun Santos, Martin Marfil, Dolly Fuentes, Eva Marie, Marilou Ver, Mila del Rosario, Angelito Marquez, Ely Roque, Arminda Marqueza, Sinforoso Jorge

1970 – Terrible 3 (AM Productions)

[release date unknown]

Director Ben Feleo

Cast Roberto Gonzalez, Johnny Delgado, Bernard Belleza, Jessette Prospero

1970 – The Three Kings (JBC Productions)

[release date 1st January 1970]

Director/Screenplay Sol Gaudite Music Demet Velasquez

Cast Roberto Gonzalez, Philip Gamboa, Rebecca Rocha, Lilian Ramos, Jules King, Eva Marie

1970 – Ang Matitinik (Larry Santiago Productions)

[release date 2nd February 1970]

Director Pablo Santiago Story/Screenplay Tommy C. David Music Pablo Vergara

Cast Roberto Gonzalez, Bernard Belleza, Paquito Diaz, Dante Varona, Lito Garcia, Jessica, Van de Leon, Victor Bravo, Eva Marie, Bobby Santiago, Rodolfo “Boy” Garcia, Lou Salvador Sr, Rebecca Gonzalez

1970 – Kapwa Limbas (RG Productions)

[release date 18th February 1970]

Directors/Writers Tommy David, Bien David Music Demet Velasquez

Cast Roberto Gonzalez, Vic Vargas, Rosanna Ortiz, Rolando Gonzalez, Lito Garcia

1970 – Bagsik Ng Kamao/“Fury Of The Fist” (Gold Leaf)

[release date 9th May 1970]

Director Pablo Santiago Screenplay Tommy C. David, Antonio Pascua Music D’Amarillo

Cast Tony Ferrer, Roberto Gonzalez, Bernadeth Calove

1970 – Counter Attack (Leca)

[release date 18th May 1970]

Director/Music D’Amarillo Cinematography Edmund Cupcupin

Cast Roberto Gonzalez, Johnny Caranza, Nancy Roman

1970 – Saan Man Sulok… Panganib/“Danger… In Every Corner” (RG Productions)

[release date 4th June 1970]

Director/Screenplay Armando Herrera

Cast Roberto Gonzalez, Van de Leon, Rosanna Ortiz

1970 – Basta Bisaya/“Surely Visayan” (MG)

[release date 5th June 1970]

Director Leroy Salvador

Cast Roberto Gonzalez, Von Serna, Gloria Sevilla, Cielito del Mundo

1970 – Wanted Tunay Na Lake/“Wanted Real Man” (JBC)

[release date 25th June 1970]

Director/Screenplay Sol Gaudite

Cast Roberto Gonzalez, Philip Gamboa, Eva Marie, Lilian Ramos, Fredy Raval, Carmen Romasanta

1970 – Patigasan/“Who’s Harder” (RG Productions)

[release date 24th July 1970]

Director Solano Gaudite Screenplay Henry Cuino

Cast Roberto Gonzalez, Jules King, Rosanna Ortiz, Lilian Ramos, Ernie Ortega, Robert Rivera

1970 – Paglaya Ko… Lagot Kayo!/“When I Get Freed… You’ll Be Sorry!” (RJ)

[release date 2nd October 1970]

Director Nilo Saez Screenplay O.B. Pangilinan, Nilo Saez

Cast Roberto Gonzalez, Renato Robles, Thelma Kennedy

1971 – Boy Poklat (RG Productions)

[release date 18th February 1971]

Director Butch Bautista Screenplay Harold Clement Music Gel Cruz Cinematography Steve Perez

Cast Roberto Gonzalez, Paquito Diaz, Reina Pimentel, Marissa Delgado

1971 – Encuentro Ng Mga Hari/“Encounters Of The Kings” (AG)

[release date 29th April 1971]

Director Butch Bautista

Cast Roberto Gonzalez, Paquito Diaz, Reina Pimentel, Rolando Gonzalez, Max Alvarado, Lou Salvador, Panchito

1971 – Sa Kamay Ng Tatlong Takas/“In The Hands Of Three Fugitives” (JMJ Pictures/MG Productions)

[release date 28th May 1971]

Director Flor Bien Story/Screenplay Bert Mendoza

Cast Roberto Gonzalez, Dante Varona, Romy Diaz, Yvonne

1971 – Habang Ako’ng Batas/“While I Am The Law” (RG Productions)

[release date 12th June 1971]

Director “Sol”/Solano Gaudite Story/Screenplay O.B. Pangilinan Music Gel Cruz Associate Director Johnny Capistrano Cinematography Enrique Rosales

Cast Roberto Gonzalez, Jules King, Aurora Salve, Renato Robles, Omar “Boy” Camar, Ernie Ortega, Jun Satos, Alex Flores, Miguel Lopez, Rolando Gonzales, Robert Rivera, Tony Pomuceno, Jaime de Vera, Rey Sagum, Robert Miller, Lito Hermosa, Santy Hermosa, Joven Locquiao, SOS Daredevils, PMP Boys, D’R.G. Boys

1971 – Pepe Sampera (Reygon)

[release date 24th September 1971]

Director Nilo Saez Screenplay Jimmy Naval Music Joseph Mendoza Cinematography Eduardo Cabrales

Cast Roberto Gonzalez, Lizabeth Vaughn

1971 – Batang Estero/“Child Of The Sewers” (RG Productions)

[release date 7th October 1971]

Director Jose “Pepe” Wenceslao Screenplay Joseph Nelson Music Demet Velasquez Cinematography Enrique Rosales

Cast Roberto Gonzalez, Rolando Gonzalez, Reina Pimentel, Omar Camar, Ernie Ortega, Jun Santos

1971 – Kontra Hari/“Anti-King” (JMJ Pictures/Oriental Movie Pictures)

[release date 9th December 1971]

Director Solano Gaudite Screenplay Ernie Ortega Producer Mariano L. Bermejo Jr Music Demet Velasquez

Cast Roberto Gonzalez, Pilar Pilapil, Rosanna Ortiz, Romy Diaz, Omar “Boy” Camar, Jess Vargas, Ben Perez, Marikit Liwanag, Ernie Ortega, Steve Alcarado, Leon Pajaron, Alex Flores, Charlie Oro

1972 – Battle Of Lingayen (RTG)

[release date 12th February 1972]

Directors Nick Cacas, Jun Gozon Screenplay H. Roxas Music Pablo Vergara Cinematography Zosimo Corpuz

Cast Roberto Gonzalez

1972 – Diego Condenado (Swanie)

[release date 19th February 1972]

Director Charlie Ordonez Screenplay B. Duenas Jr Cinematography Temmie Ongleo

Cast Roberto Gonzalez, Rocco Montalban, Elizabeth Bankhead

1972 – Dirty Hari (Lea Productions/Ultra Vista Films)

[release date 28th February 1972]

Director Jun Gallardo Story/Screenplay Bert R. Mendoza Cinematography Steve Perez

Cast Roberto Gonzalez, Jing Abalos, Eddie Garcia, Alicia Alonzo, Roderick, Sancho Tesalona, Fred Param, Rosa Santos, Primo Yumol, Lito Cruz, SOS Daredevils, Ernesto Santos, Juano Juarez

1972 – Escape From East Berlin (MG)

[release date 3rd March 1972]

Director Sol Gaudite Screenplay Greg Macabenta

Cast Roberto Gonzalez, Gloria Sevilla

1972 – Lagot Kung Lagot/“Cut If Cut” (RG Productions)

[release date 7th April 1972]

Director Sol Gaudite Story Greg Igna de Dios Based on the Holiday Komiks serial Screenplay Henry Cuino Music Demet Velasquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Jules King, Rudy Fernandez, Reina Pimentel, Emma Esmeralda, Desiree Destreza, Robert Rivera, Omar “Boy” Camar, Ernie Ortega, Jun Santos, Jaime de Vera, Rey Sagum, Tony Pomuceno, Ad Veloso, Anita Linda, Van de Leon (Captain Alcaraz), The RG Boys, SOS Daredevils

1972 – Jungle Fighters (Liberty)

[release date 24th April 1972]

Director Nick Cacas Screenplay Nick Cacas, H. Roxas Music Demet Velasquez

Cast Roberto Gonzalez, Renato del Prado, Mario Montalban, Rolan Montes, Roldan Rodrigo

1972 – Ang Kamay Na Bakal/“Hands Of Steel” (MBM)

[release date 24th May 1972]

Director Sol Gaudite Music Danny Holmsen

Cast Roberto Gonzalez, Rolando Gonzalez, Desiree Destreza

1972 – Walang Katapat/“Incomparable” (RG Productions)

[release date 9th June 1972]

Director Sol Gaudite Music Demet Velsaquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Philip Gamboa, Rolando Gomez

1972 – Hari Ng Mga Simaron/“King Of The Cimarons” (Liberty)

[release date 30th June 1972]

Director Manny Songco Music C. Rodriguez Cinematography Temmie Onoleo

Cast Roberto Gonzalez, Franco Rivero, Danny Rojo, Pablo Virtuoso, Max Alvarado

1972 – Kahit Saan! Encuentro/“Everywhere! Encounter” (Jun-Zen)

[release date 22nd July 1972]

Director/Screenplay “Jun-Zen” Music Demet Velasquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Rolly Lapid, Johnny Caranza, Rey Roldan, Johnny Vicar

1972 – Ang Boxer At Ang Sexy/“The Boxer And The Sexy” (AA)

[release date 10th August 1972]

Director Leroy Salvador Screenplay Ross Oracion Music Demet Velasquez Cinematography Luis Chiong

Cast Roberto Gonzalez, Alona Alegre

1972 – King Fighter (RG Productions)

[release date 31st August 1972]

Director/Screenplay Sol Gaudite Music Demet Velasquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Philip Gamboa, Christina Reyes, Nympha Bonifacio

1972 – Walang Hari Sa Akin/“I Have No King” (MBM)

[release date 21st October 1972]

Director Sol Gaudite Music Danny Holmsen Cinematography Peping Austria

Cast Roberto Gonzalez, Omar Camar, Nympha Bonifacio

1973 – Ako Laban Sa Daigdig/“Me Against The World” (RG Productions)

[release date 4th January 1973]

Director Armando de Guzman Screenplay Armando de Guzman, Cris Magdiwang Music Demet Velasquez Cinematography Zosimo Corpus

Cast Roberto Gonzalez, Rosemarie Gil

1973 – Ang Barbaro At Si Genghis Khan/“The Barbarian And Genghis Khan” (Cattleya)

[release date 25th January 1973]

Director Danilo Cabreira Screenplay Bert Mendoza Music Demet Velasquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Ramon Zamora, Carmina Perez

1973 – Taga-Usig/“The Accuser” (Jovan)

[release date 9th February 1973]

Director Sol Gaudite Screenplay Jerry Tirazona Music Demet Velasquez Cinematography Vic Anao

Cast Roberto Gonzalez, Jing Abalos, Carmina Perez, Irene Ramos

1973 – Silang Mga Bayani/“They The Heroes” (Golden G)

[release date 2nd March 1973]

Director Jose Miranda Cruz Music Demet Velasquez Cinematography R. Buenaseda

Cast Roberto Gonzalez, Philip Gamboa, Jeannie Young

1973 – Kamay Na Ginto/“Hand Of Gold” (Sikatuna)

[release date 15th March 1973]

Director Sol Gaudite Screenplay Cris Magdiwang Music Demet Velasquez Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Rolando Gonzalez, Liza Lorena

1973 – San Nicolas (NGP)

[release date 23rd March 1973]

Director Sol Gaudite Music Totoy Nuke Cinematography Peping Austria

Cast Roberto Gonzalez, Jules King, Desiree Destreza

1973 – Basco Silang (RG Productions)

[release date 6th April 1973]

Director Sol Gaudite Screenplay Cris Magdiwang Music Demet Velasquez Cinematography Enrique Rosales

Cast Roberto Gonzalez, Rolando Gonzalez, Reina Pimentel, Eva Darren

1973 - Fist To Face (ESA)

[release date 23rd May 1973]

Director Charlie Ordonez Screenplay J. Tirazona Cinematography Joe Tutanes Music Geyju

Cast Roberto Gonzalez, Bentot, Pugak, Jerry Pons, Ngongo, Tintoy

1973 – Digmaan Sa Paraiso/“War In Paradise” (RG Productions)

[release date 9th June 1973]

Director Sol Gaudite Cinematography E. Rosales Music Demet Velasquez

Cast Roberto Gonzalez, Gina Pareno

1973 – Pugante: Numero 3-11/“Fugitive Number 3-11” (RG Productions)

[release date 26th July 1973]

Director/Writer Jose Miranda Cruz Music Demet Velasquez

Cast Roberto Gonzalez, Dante Varona, Jeanne Young, Johnny Monteiro, Larry Silva, Rocco Montalban, Mar Quijano, Gerry Gamboa, Evelyn Zargarriaga?, Cora Santos, Dalton de Castro, Lyod Garcia, Lorena Avellana, Bella Flores, Prospero Luna, Pancho Pelagio, Rady Leonardo

1973 – Kaaway Na Mortal/“Mortal Enemy” (RG Productions)

[release date 12th October 1973]

Director Robert John, Johnny Capistrano Screenplay Roberto Gonzalez, Joseph Nelson Music Demet Velasquez Cinematography E. Rosales

Cast Roberto Gonzalez, Rolando Gonzalez, Elizabeth Oropesa, Omar Camar

1974 – Tagisan Ng Lakas/“Test Of Strength” (Sikatuna)

[release date 24th April 1974]

Director/Screenplay Cesar Mella Jr Music Demet Velasquez Cinematography R. Dino

Cast Robert Gonzalez, Philip Gamboa, Rosanna Ortiz, Nympha Bonifacio

1974 – King Of The Dragon (John-John)

[release date 14th June 1974]

Director Chito Tapawan Screenplay Robert John Music Demet Velasquez Cinematography Enrique Rosales

Cast Roberto Gonzalez, Rolando Gonzalez, Marilou Esteban, Omar Camar, Tito Arevalo

1974 – The Eagle And The Dragon (Silangan)

[release date 7th September 1974]

Director Chito Tapawan Screenplay W.G. Eusebio Music Sonja Cinematography Nestor Orense

Cast Roberto Gonzalez, Virginia

1974 – Kill… The Carnapers (Cavite)

[release date 30th October 1974]

Director Jose de Villa Screenplay R.N. Galang Cinematography R. Buenaseda

Cast Roberto Gonzalez, Helen Gamboa

1975 – Hell-O 400 Hour (Golden G)

[release date 19th December 1975]

Director Nick C. Cacas, Jun Gozon Screenplay Rodolfo Loraytes Cinematography Rolly de la Rosa Music Pablo Vergara

Cast Roberto Gonzalez, Dante Varona

1975 - Subok Na Matatag/“Tested Strength” (Cubao Cinema)

[release date 26th December 1975]

Director Butch Bautista

Cast Roberto Gonzalez, Rodel Vaval, Lorna Tolentino

1976 – Gold Cross (Golden G)

[release date 17th December 1976]

Director Nick Cacas Screenplay Jun Mariano Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Philip Gamboa, Perry Baltazar, Eddie Peregrina, Rex Lapid, Zandro Zamora

1977 – Zabrosa (Juver-Junar)

[release date 30th June 1977]

Director Santi Verchez Screenplay D. Gomez

Cast Roberto Gonzalez, Carmen Ronda, Edna Diaz, Dona Villa, Virginia

1977 – Karate Kung Fu Shaolin Masters (Larry Santiago Productions)

[release date 11th December 1977]

Director Bobby Santiago Screenplay Bert R. Mendoza Music Pablo Vergara Cinematography A. Alvarez

Cast Roberto Gonzalez, Rey Malonzo

1979 – Scout Ranger (Golden G)

[release date 30th April 1979]

Director Sol Gaudite Screenplay Cesar Cabiles Music Totoy Nuke Cinematography Zosimo Corpuz

Cast Roberto Gonzalez, Dante Varona, Zandro Zamora, Rex Lapid, Philip Gamboa, Roldan Aquino

1979 - Ahas Sa Pugad Ng Lawin/“Snake In The Hawk’s Nest” (Eldee)

[release date 16th August 1979]

Director Nilo Saez Screenplay O.B. Pangilinan, Antonio Hernas Music Demet Velasquez Cinematography R. Remias

Cast Roy Rustan, Elizabeth Oropesa, Laila Dee, Roberto Gonzales, Ramon Zamora, George Estregan

1979 - Deadly Fighters (Twin Dragon Films International)

Release date 8th December 1979]

Director Reginald King Cinematography Joe Tutanes

Cast Tony Ferrer, Roberto Gonzalez, Rey Malonzo, Erin Murphy, Romy Diaz, Tsing Tong Tsai, Don Pepot, Danny Rojo, Val Iglesias, Rey Sagum, Ben Datu, Conrad Woalkees, Larry Esguerra, Steve Alcarado, Danny Zurbano, Rocco Montalban, Paquito Salcedo [Max Alvarado – not listed on poster]

1979 – Objective 2400 (Golden G)

[release date 20th December 1979]

Director Sol Gaudite Cinematography Rolly de la Rosa

Cast Roberto Gonzalez, Dante Varona, Zandro Zamora, Rex Lapid

1980 – Ulupong, Aguila At Ang Daga/“Serpent, Eagle And Rat” (RDO)

[release date 11th July 1980]

Director Johnny Wood

Cast Roberto Gonzalez, Jun Aristorenas, Lilibeth Ocampo, Cristina Diaz, Rey Roldan, Johnny Madrid, Rex Lapid, Vanneza, Lopez, Amay Bisaya

1983 – Heroes Hill (Golden G)

[release date 29th September 1983]

Director Jun T. Gozon

Cast Roberto Gonzalez, Dante Varona, Rex Lapid, Zandro Zamora, Mario Montalban, Philip Gamboa

Nino Muhlach filmography 1975-1988

NINO MUHLACH Filmography 1975-1988

1975 - May Lalaki Sa Ilalim Ng Kama Ko (AM Productions)

[release date 1st January 1975]

Cast Nino Muhlach NO OTHER CAST OR CREW DETAILS AVAILABLE

1975 – Ang Leon At Ang Daga (FPJ Productions)

[release date 2^nd January 1975]

Director Armando Herrera Screenplay Fred Navarro Music Ernani Cuenco Cinematography Sergio Lobo

Cast Fernando Poe Jr, Nino Muhlach, Paquito Diaz, Dencio Padilla, Vic Varrion, Nonoy de Guzman, Eddie Gicoso, Rebecca Rocha, Thunder Stuntmen, SOS Daredevils

1975 - Lulubog Lilitaw Sa Ilalim Ng Tulay (Juan de la Cruz Productions)

[release date 11th July 1975]

Director Joey Gosiengfiao Writer Toto Belano Music Demet Velasquez Cinematography R. Dino

Cast Amalia Fuentes (Amalia Marinella Fuentebella), Boots Anson-Roa (Sister Elisa), Luis Gonzales (Luis Samaniego), Niño Muhlach (Chinky Ychavez), Orestes Ojeda (Edwin Silva), Celia Rodriguez (Donya Matilde), Chanda Romero (Maring)

1976 – Beloy And The Kid (D’Wonder Films/AM Productions)

[release date 12th March 1976]

Director Romy Villaflor Cinematography Loreto U. Usleta

Cast Vic Vargas, Nino Muhlach, Panchito, Paquito Diaz, Josephine Garcia, Subas Herrero, Angie Ferro, Venchito Galvez

1976 - Harabas Con Bulilit (D’Wonder Films)

[release date 28th May 1976]

Cast Jun Aristorenas, Nino Muhlach NO OTHER CAST OR CREW DETAILS AVAILABLE

1976 - Kutong Lupa/ “Small Insect” (Rootman)

[release date 23rd July 1976]

Director Fely Crisostomo Cinematography Ben Lobo Music Demet Velasquez

Cast Nino Muhlach, Zaldy Zshornack, Nida Blanca, Celia Rodriguez, Johnny Delgado, Alicia Alonzo, Merle Tuason, Renato Robles, Jose Garcia, Rudy Manlapaz, Baby de Jesus

1976 – Wonder Boy (Tagalong Ilang-Ilang Productions)

[release date 19th August 1976]

Cast Tony Ferrer, Nino Muhlach NO OTHER CAST OR CREW DETAILS AVAILABLE

1976 – BongBong (D’Wonder Films)

[Release date 9th October 1976]

Director Fely Crisostomo Screenplay Armando de Guzman Based on the komik serial by Mars Ravelo Music Tito Sotto Cinematography Eduardo Cabrales

Cast Nino Muhlach (BongBong), Rudy Fernandez (Mando), Vivian Velez (Gilda), Max Alvarado, Alicia Alonzo, Jose Romulo, Lorli Villanueva, Etang Discher, Angie Ferro, Joonee Gamboa, Joe Sison, Venchito Galvez, Moody Diaz, Tessa Locsin, Jean Lopez, Walden & Barbi, Yip & Brava, Danny Rojo, Joaquin Fajardo, Bobby Suansing, Jing Caparas, Ben Manalo, Edgar Arroyo

1977 – Jack And Poy (D’Wonder Films)

[release date 21st January 1977]

Director/Story Luciano B. Carlos Music Danny Holmsen Cinematographer Hermo U. Santos

Cast Ariel Ureta, Nino Muhlach, Marilou Destreza, Paquito Diaz, Rodolfo “Boy” Garcia, Martin Marfil, Matimtiman Cruz, Estrella Kuenzler, Tony Carrion, Danny Rojo, Joaquin Fajardo, Jing Caparas, Karina Zawalski, Ben Johnson, German Moreno

1977 – Tutubing Kalabaw Tutubing Karayom (FPJ Productions)

[release date 24^th February 1977]

Director Armando A. Herrera Screenplay Fred Navarro Music Ernani Cuenco Cinematography Sergio Lobo

Cast Fernando Poe Jr, Nino Muhlach, Marianne de la Riva, Paquito Diaz, Dencio Padilla, Victor Bravo, Nello Nayo, Jose Garcia, Joonee Gamboa, Angie Ferro

1977 – Ang Pagbabalik Ni Harabas At Bulilit (D’Wonder Films)

[release date 18th March 1977]

Director Nilo Saez Story/Screenplay Greg Macabenta Cinematography Hermo U. Santos

Cast Jun Aristorenas, Nino Muhlach, Vivian Velez, Ruby Anna, Anna Marin, Paquito Diaz, Rodolfo “Boy” Garcia, Max Alvarado, Moody Diaz, Amy Austria, Rowena Ysmael, Tita de Villa, Rey Big Boy, TNT Stuntmen, Thunder Boys, Mom Stuntmen, Renato Robles, Rocco Montalban, Danny Rojo, J. Antonio Carrion, Joe Cunanan, Fred Esplana, Edgar Garcia

1977 – Wow, Sikat! Pare, Bigat! (Regal Films)

[release date 15th April 1977]

Director Luciano B. Carlos Screenplay Medy Navales Music Vicor

Cast Nino Muhlach, Rico J. Puno, Gina Alajar, Lilian Laing, Apeng Daldal, German Moreno

1977 – Si Amihan At Si Hagibis (D’Wonder Films)

[release date 26th May 1977]

Director J. Erastheo Navoa Screenplay F. Dalay Music Demet Velasquez Cinematography Hermo U. Santos

Cast Nino Muhlach, Rez Cortez, Alma Moreno

1977 – Binata Ang Daddy Ko! (D’Wonder Films)

[release date 9th September 1977]

Director J. Erastheo Navoa, Fely Crisostomo

Cast Eddie Rodriguez, Nino Muhlach

1977 – Tahan Na Empoy, Tahan (Lotus Films Inc)

[release date 16th November 1977]

Director Lino Brocka Story/Screenplay Jose Dalisay Jr Music Ernani Cuenco Cinematographer Jose Batac Jr Editor Augusto Salvador

Cast Nino Muhlach, Snooky [Serna], Alicia Alonzo, Armida Siguion-Reyna, Rosa Aguirre, Lorli Villanueva, Orlando Nadres, Rodel Naval, Mario O’Hara, Allan Ronald Muhlach

1978 – Kaming Patok Na Patok (D’Wonder Films)

[release date 10th February 1978]

Director Nilo Saez Story/Screenplay Enrique de Jesus Music Pablo Vergara Cinematography Hermo U. Santos

Cast Chiquito, Nino Muhlach, Beth Bautista, Panchito, Max Alvarado, Teroy de Guzman, Laila Dee, Panchito Jr

1978 – Magkaaway (D’Wonder Films)

[release date 25th March 1978]

Director Augusto Buenaventura Screenplay Augusto Buenaventura, Diego Cagahastian Music Ernani Cuenco Cinematography Hermo U. Santos

Cast Joseph Estrada, Nino Muhlach, Susan Valdez, Lito Anzures, Romeo Rivera

1978 - Ang Tatay Kong Nanay/“My Cross-Dressing Father” (Lotus Films Inc)

[release date 4th July 1978]

Director Lino Brocka Writer Orlando R. Nadres Music Lutgardo Labad Cinematography Jose Batac Jr Editor Augusto Salvador

Cast Dolphy, Nino Muhlach, Phillip Salvador, Marissa Delgado, Lori Villanueva, Saxy Tapacio, Larry Leviste, Orlando Nadres

1978 - Bruce Liit (D’Wonder Films)

[release date 22nd July 1978]

Director Jen Screenplay Manuel Ramirez Cinematography Hermo U. Santos Music Demet Velasquez

Cast Niño Muhlach (Bruce), Ramon Zamora, Rey Malonzo, Philip Gamboa, Anna Marin, Beth Bautista, Larry Esguerra, Fred Esplana, Tange, Omar “Boy” Camar, Ruben Ramos, Ben Datu, Rey Sagum, Carlos Diaz, Rod Francisco, Doming Reyes, Jimmy Reyes, Ernie David

1978 – Butsoy (D’Wonder Films)

[release date 30th September 1978]

Directors Fely Crisostomo, J. Erastheo Navoa Story Pat V. Reyes Screenplay Beer Flores Cinematographer Hermo U. Santos

Cast Nino Muhlach, Dante Rivero, Marianne de la Riva, Marissa Delgado, Dindo Fernando, Panchito, Dely Atay-Atayan, Crystal, Paquito Diaz, Tange, Matimtiman Cruz, Balut, Moody Diaz, Jose Garcia, Pepot, Vic Morales, Danny Rojo, Allan “Ronald” Muhlach

1978 – Ang Agimat Ni Pepe (D’Wonder Films)

[release date 15th December 1978]

Director J. Erastheo Navao Screenplay Manuel Ramirez Music Demet Velsaquez Cinematography Hermo U. Santos, P. Manding Jr

Cast Nino Muhlach, Rey Malonzo, Chanda Romero, Sheryl Cruz, Panchito

1979 – Ang Tatay Kong Kalbo (D’Wonder Films)

[release date unknown]

Director Fely Crisostomo Story/Screenplay Cloyd Robinson Music Nonong Avila Cinematography Hermo U. Santos

Cast Nino Muhlach, Bembol Roco, Beth Bautista, Panchito, Rez Cortez, Ike Lozada, Allan “Ronald” Muhlach, Bella Flores, Ed Villapol, Tonio Guttierez, Jimmy Santos, Val Hernandez, Ruthie Roces, Teroy de Guzman, Don Pepot, Palito, Tonette Macho, Georgie Quizon

1979 – Kakampi Ko Ang Sto. Nino (D’Wonder Films)

[release date 19th January 1979]

Director Fely Crisostomo Screenplay F. Cabaluna Music Ernani Cuenco Cinematography Hermo U. Santos

Cast Nino Muhlach

1979 – Kuwatog (D’Wonder Films)

[release date 30th April 1979]

Director J. Erastheo Navoa Story Pat Reyes Screenplay Joe Ben Miraflor Jr Cinematography Hermo U. Santos Special Effects Tommy Marcelino

Cast Nino Muhlach, Ricky Belmonte, Rez Cortez, Anna Marin, Donna Villa, Panchito, Patsy, Dely Atay-Atayan, Cachupoy, Bayani Casimiro, Teroy de Guzman, Bella Flores, Don Pepot, Metring David, Palito, Tonnette Macho, Danny Rojo, Joaquin Fajardo, Val Hernandez, Ronald Allan Muhlach

1979 – Pepeng Kulisap (D’Wonder Films)

[release date 11th August 1979]

Director J. Erastheo Navoa Story L.P. Calixto Screenplay Joeben Miraflor Jr Music Nonong Avila Cinematography Hermo U. Santos

Cast Nino Muhlach, Beth Bautista, George Estregan, Dindo Fernando, Andy Poe, Chichay, Sheryl, Dick Israel

1979 – Isa, Dalawa, Tatlo, Ang Tatay Kong Kalbo (D’Wonder Films)

[release date 5th October 1979]

Director Fely Crisostomo Screenplay Cloyd Robinson Cinematography Hermo U. Santos Music Nonong Avila

Cast Rafael Roco Jr, Nino Muhlach, Beth Bautista, Allan “Ronald” Muhlach

1979 – Bokyo (D’Wonder Films)

[release date 14th December 1979]

Director J. Erastheo Vavoa Screenplay Pat Reyes, Joeben Miraflor Cinematography Hermo U. Santos

Cast Nino Muhlach, Al Tantay, Marissa Delgado, Anna Marin, Allan Muhlach

1980 - Darna At Ding/“Darna And Ding” (D’Wonder Films)

[release date 8th February 1980]

Directors J. Erastheo Navoa, Cloyd Robinson Producer D’Wonder Films Story & Screenplay J. Erastheo Navoa, Cloyd Robinson Based on characters by Mars Ravelo Director of Photography Hermo U. Santos Editor Eduardo “Boy” Jarlego Production Designer Arthur Nicdao

Cast Vilma Santos (Darna/Narda), Nino Muhlach (Ding), Panchito Alba (Narda’s Father), Max Alvarado (Giant), Bayani Casimiro, Rez Cortez, Marissa Delgado (Dr Irene Vontesberg), Paquito Diaz (Escaped Prisoner #1), Mooody? Moddy? Diaz, Angie Ferro, Teroy de Guzman (Zombie), Lando Perez Jacob, Veronica Jones (Babaing Lawin/Hawk Woman), Ike Lozada (DJ), Lily Miraflor, German Moreno (Dr Vontesberg’s Zombie Assistant), Avel Morado, Palito (Chinese Restaurant patron #1), Don Pepot, Andy Poe (Andy, Escaped Prisoner #2), Celia Rodriguez (Lei Ming), Danny Rojo, Jimmy Santos, Buddy Salvador, Rudi Soriano, Tsing Tong Tsai, Donna Villa, Al Tantay (Harry) [Wikipedia lists Er "Canton" Salazar & Tonette Macho, both not listed in credits]

1980 – Enteng-Anting (D’Wonder Films)

[release date 18th April 1980]

Director J. Erastheo Navoa Story Ric Aquino Screenplay Joeben Miraflor Jr Cinematography Hermo U. Santos Special Effects Tommy Marcelino

Cast Nino Muhlach, Nida Blanca, Roel Vergel de Dios, Panchito, Rez Cortez, Baby Delgado, Myrna Velasco, Manny Luna, Dely Atay-Atayan, Cachupoy, Jerry Pons, Moody Diaz, Lily Miraflor, Palito, Bayani Casimiro, Don Pepot, Ed Villapol

1980 – Hepe (D’Wonder Films)

[release date 13th June 1980, export title “The Crazy Bunch”]

Director J. Erastheo Navoa Story/Screenplay Manuel Ramirez Cinematography Pedro Manding Jr

Cast Nino Muhlach, Rey Malonzo [billed as “Reginald King” in the export version], Eddie Garcia, Paquito Diaz, Max Alvarado, Amy Austria, Donna Villa, Ike Lozada, German Moreno, Ed Villapol, Tsing Tong Tsai, Dexter Doria, Don Pepot, Palito, Danny Rojo, Jimmy Santos, Arturo Moran, Larry Esguerra, Paquito Salcedo, Romy Nario

1980 – Juan Tamad, Junior (D’Wonder Films)

[release date 18th September 1980]

Director/Story Arsenio “Ka Boots” Bautista Screenplay Joe “Lad” Santos Music Nonong Avila Cinematography Hermo U. Santos

Cast Nino Muhlach (Juan Tamad Jr), Panchito, Babalu, Marissa Delgado, Dondon Nakar, Tetchie Agbayani, Manuel Conde (Juan Tamad Sr), Ike Lozada, German Moreno, Lucita Soriano, Don Pepot, Palito, Robert Miller, Danny Rojo, Jimmy Santos, Ernie David

1980 – NogNog (D’Wonder Films)

[release date 12th December 1980]

Director Nilo Saez Screenplay Ric Aquino Based on the komik by L.S. Martinez Cinematography Pedro Manding Jr

Cast Nino Muhlach (NogNog), Panchito, Chichay, Dely Atay-Atayan, Cachupoy, Bonnie “Mong” de Jesus, Manny Luna, Maricris Bermont, Bella Flores, Dexter Doria, Heidi Melendres, Don Pepot, Ed Villapol, Palito, Lily Miraflor, Matimtiman Cruz, Bayani Casimiro, Danny Rojo, Jimmy Santos, Marissa Delgado, Paquito Diaz, Anne Villegas, Babalu

1980 – Tembong (D’Wonder Films)

[release date 25th December 1980]

Director J. Erastheo Navoa Story/Screenplay Ric S. Aquino Music Snaffu Rigor Editor Edgardo Jarlego Jr Cinematography Hermo U. Santos

Cast Nino Muhlach, Ricky Belmonte, Boots Anson Roa, Eddie Garcia, Azenith Briones, Dely Atay-Atayan, Anna Marie Gutierrez, Panchito, Matutina, Mon Godiz, Don Pepot

1981 – Tikboy En Pamboy (D’Wonder Films)

[release date 6th February 1981]

Director J. Erastheo Navoa Screenplay Ric Aquino Cinematography Hermo Santos

Cast Nino Muhlach, Aga Muhlach, Dely Atay-Atayan, Matutina

1981 – Mga Basang Sisiw (BSH)

[release date 27th February 1981]

Director/Screenplay Agustin dela Cruz Music Ernani Cuenco Cinematography R. Monteloyola Editor Edgardo “Boy” Vinarao

Cast Julie Vega, Janice de Belen, Sheryl Cruz, Niño Muhlach, Cheche

1981 – Cuatro y Media (D’Wonder Films)

[release date 17th April 1981]

Director J. Erastheo Navoa Writer Joe Lad Santos Music Ramon Reyes Cinematography P. Manding Jr Editor Eduardo Jarlego Art Direction Brando Ocampo

Cast Nino Muhlach, Ramon Zamora, Roland Dantes, Ulysses Tzan, Rey Malonzo?

1981 – Hepe Goes To War (D’Wonder Films)

[release date 24th July 1981]

Director J. Erasteho Navoa Screenplay Manuel Ramirez Music/Sound Ramon Reyes Editor Edgardo Jarlego Jr Art Director Brando Ocampo Cinematography P. Manding

Cast Nino Muhlach, Rey Malonzo, Camille Raymond

1981 – Dos Bravos (D’Wonder Films)

[release date 9th October 1981]

Director J. Erestheo Navoa Screenplay Jojo Miraflor Jr Cinematography Hermo U. Santos Sound/Music Ramon Reyes Editor Eduardo Jarlego Jr Art Directors Rolly Sto. Domingo, Brando Ocampo

Cast Dante Varona, Nino Muhlach, Ann Villegas

1981 – Tropang Bulitit (D’Wonder Films)

[release date 25th December 1981]

Director J. Erastheo Navoa

Cast Nino Muhlach (Mr Paandar), Sheryl Cruz (Miss America), Andrea Bautista (Miss Bungisngis), Janice De Belen (Miss Papo Ako), Lea Salonga (Miss Iyakin)

1982 – Juan Balutan (D’Wonder Films)

[release date 6th March 1982]

Director J. Erastheo Navoa Screenplay B. Martinez Music R. Valera Cinematography Hermo U. Santos

Cast Nino Muhlach, Ricky Belmonte, Liz Alindogan, Perla Bautista

1982 – Rocco, Ang Batang Bato (D’Wonder Films)

[release date 23rd June 1982, export titles “Stone Boy” and “Boy God”]

Director J. Erastheo Navoa Story & Screenplay Joeben Miraflor [other sources list E. Corcuera] Executive Producer Alexander Muhlach Music Ernani Cuenco [other sources list M. Lopez] Cinematography Hermo Santos Editor Joe Mendoza Assistant Editor Edgar Gutierrez Sound Effects Danny Sanchez Sound Supervision Rudy Baldovino Foreign Adaptation Jess Ramos

Cast Nino Muhlach, “Jim Melendrez”/Jimi Melendez, Isabel Rivas, Cecille Castillo

1982 - Tatlo Silang Tatay Ko (D’Wonder Films)

[release date 25th December 1982]

Director J. Erastheo Navoa Story L.P. Calixto Music Tito Sotto Cinematography Hermo U. Santos Editor Edgardo Jarlego

Cast Niño Muhlach, Tito Sotto, Vic Sotto, Joey de Leon, Susan Bautista, Panchito, Manny Luna, Dely Atay-Atayan, Ike Lozada, German Moreno, Rodolfo 'Boy' Garcia, Bayani Casimiro, Ben David, Don Pepot, Mely Tagasa, Palito, Rose Andrada, Chuchi, Ben Johnson, Lily Miraflor, Ngo-Ngo, Georgie Quizon, Florence Carvajal, Ulysses Tzan, Fortunato 'Atoy' Co, Philip Cesar, Giovanni Calvo, “Tonette Macho”/Anthony Roquel, Richie D'Horsie

1983 – Hula (D’Wonder Films)

[release date 15th June 1983]

Director Emmanuel H. Borlaza Screenplay J.J. Reyes Cinematography Hermo Santos Editor Edgardo Jarlego Jr Music Lucresia Kasilag Art Director Ben Payumo

Cast Nino Muhlach, Vic Vargas, Pilar Pilapil, Elizabeth Oropesa

1983 – D’Godson (D’Wonder Films)

[release date 25th December 1983]

Director J. Erastheo Navoa Screenplay J. Carreon Cinematography Hermo U. Santos Editor Eduardo Jarlego Jr Art Director R. Sto. Domingo

Cast Nino Muhlach, William Martinez, Susan Bautista, Nanette Inventor

1984 - Nang Maghalo Ang Balat Sa Tinalupan (RVQ Productions)

[release date 19th Spetember 1984]

Director/Screenplay Ben Feleo Story Roy Vera Cruz Producer/Choreographer Dolphy [as Rodolfo V. Quizon] Music Dominic Editor Efren Jarlego Production Design Fred Sta. Ana Production Manager Manuel 'Boy' Quizon Sound Supervisor Ramon Reyes

Cast Dolphy (Rudolph), Alma Moreno (Michelle), Niño Muhlach (Boboy), Jaypee De Guzman (Chris), Panchito, Angela Perez, Conde Ubaldo, Anna Feliciano, Josie Andico, Jennie Sevilla, Fernando Andres, Delie de Leon, Remis Estrella, Ernesto Gutierrez, Perlie Hernandez, Zony Quizon, Ramil Rodrigo, Er “Canton” Salazar, Jimmy Santos

1985 - Ma'a May We Go Out (Viva Films)

[release date 13^th June 1985]

Director/Writer Mike Relon Makiling Producer Vic del Rosario Jr

Cast Tito Sotto, Vic Sotto, Joey de Leon, Nino Muhlach, Juan Carlos Bonnin, Ramon Christopher, Carmi Martin, Roy Alvarez, Joonee Gamboa, Esther Chavez, Rodolfo “Boy” Garcia, Dabiana, Tony Fajardo (Chauffeur in White), Cheska Iñigo

1985 - Like Father, Like Son (Viva Films)

[release date 29^th August 1985]

Director Mike Relon Makiling Story Jose Javier Reyes, Tony Gloria Screenplay Jose Javier Reyes, Mike Relon Makiling Executive Producer Vic del Rosario Jr Supervising Producer Tony Gloria Producer Ramon Salvador Editor Ike Jarlego Jr

Cast Niño Muhlach (Jonjon), Herbert Bautista (Nonoy), Nida Blanca (Emily), Nestor De Villa (Albert), Leroy Salvador (Augusto Batobalani), Gina Pareño, Lea Salonga (Angela), Cecille Iñigo, Chichay, Dely Atay-Atayan (Lola Toyang), Alicia Alonzo, Beth Bautista, Cheska Iñigo, Liza Lorena, Gerard Salonga (Gerry), Jimmy Santos, Noel Trinidad

1985 – Abandonado (D’Wonder Films?)

[release date unknown]

Director J. Erastheo Navoa

Cast Bernardo Bernardo, Lito Lapid, Nino Muhlach

1986 – Kontra Bandido (D’Wonder Films)

[release date 11th December 1986]

Director J. Erastheo Navoa Screenplay R. de Guzman Cinematography Bhal Dauz Editor Armando Jarlego Art Director Peter Perlas

Cast Nino Muhlach, Ramon Zamora, Arlene Muhlach, Janice de Belen, Rey Malonzo, Paquito Diaz, Bernardo Bernardo, Max Alvarado

1987 – Topo-Topo Barega (D’Wonder Films)

[release date 8th May 1987]

Director/Screenplay J. Erastheo Navoa Cinematography Reynaldo Capulong

Cast Aga Muhlach, Nino Muhlach, Kathy Mora, Liza Lorena

1988 – Pssst! Boy… Halika (D’Wonder Films)

[release date 18th February 1988]

Director J. Erastheo Navoa Screenplay Jojo Lapuz Cinematography Reynaldo Infantado Editor Armando Jarlego

Cast Nino Muhlach, Vic Vargas, Beth Bautista, Deborah Sun

21 Greatest Pinoy B Movies article

You know you've made it both as a writer and a film historian when your work is featured in the Philippines' version of FHM magazine (December 2008 edition)!

Here's what I originally sent them...

The Greatest Pinoy Bold Film:There’s a huge number of runners-up – Celso Ad. Castillo’s Snake Sisters and Isla, Tikoy Aguiluz’s The Boatman, Peque Gallaga’s Virgin Forest and Scorpio Nights – but the most striking of all is Silip (dir. Elwood Perez, 1985), a clearly insane assault on religious dogma set in a fundamentalist Catholic dune-locked village, featuring Pasolini-style sacrilege, gore and near-hardcore pornography. Silip’s three devout sisters (including bold megastars Maria Isabel Lopez and Sarsi Emmanuel) are in love with Simon, the promiscuous village buck whom they brand a demon due to his abnormally large organ. “We must cleanse you!” screams Maria at her aroused younger sibling while throwing handful after handful of purifying sand up her skirt.

Greatest Pinoy Copyright Thefts:James Batman (1966) HOLY BATCOW! A pop culture free-for-all from the all-time king of Pinoy parodies, Dolphy stars as James Bond AND Batman, and often in the same shot! It’s BIFF, POW, ZOINKS with the exaggerated cartoon angles and a surfadelic soundtrack from Carding Cruz…

The Bionic Boy (dir. Leody M. Diaz, 1977) Produced by Bobby A. Suarez, a miniaturized kung fu-kicking version of the Six Million Dollar Man (that’s technology for you!) played by a precocious 8-year-old kung fu prodigy named Master Johnson Yap, who can do everything Steve Austin can except buy a pack of cigarettes. Of course the producers of the Six Million Dollar Man sued, but forgot you can’t trademark the word “bionic”. Bobby Suarez one, Universal Studios nil…

Mantis Boxer (dir. Ronaldo P. San Juan, 1979) An almost scene-for-scene redux of Jackie Chan’s original Drunken Master starring the hair-helmeted Chan-alike “Ulyssess Chan”/Ulysses Tzan…

Alyas Batman en Robin (dir. Tony Reyes, 1992) Jaw-droppingly absurd Batman parody with spoof king Joey de Leon, the cadaverous Rene Requiestas as the Joker, and Dolphy's sidekick Panchito as Tio Joker. Oh, and it's a musical! Brothers Kenneth and Kevin (aka the Caped Crusader and Wonder Boy) drive around in a convertible with tacked-on Bat Wings and battle the Joker (who has a gravity-defying Dali moustache) and an extremely portly 'Tio' Penguin for truth, justice and the Filipino way of life. The entire incomprehensible mess is in Tagalog, except for the Beach Boys' musical numbers which are (almost) in English. At the end, Kenneth and Kevin teach the Joker and Penguin a lesson in morality, who then proceed to sing (to the tune of 'Let's Go To The Hop')... “Let’s be good, not bad, Let's be afraid of God!” The entire cast, including Wonder Woman and a go-go dancing midget in a Spiderman outfit, all launch into a rendition of the title theme (to the tune of "Surfin' Safari"). An easy candidate for Most Ludicrous Film of All Time, and possibly the most flagrant breach of copyright known to the legal system.

Greatest Pinoy Fighting Cock Film: Supercock (aka Fowl Play, 1975) Ross Hagen and Nancy Kwan runs around the Philippines looking for their stolen fighting chicken. Essentially a one joke movie: “Have you seen my cock?” Comedy Gold.

Greatest Pinoy Samurai Zombie Film: Raw Force (1982) Imagine a film shot by Americans in the Philippines exploiting every possible angle: cannibals, zombies, samurais, white kung fu (this WAS 1982, and Chuck Norris reigned supreme!), gumby comedy, and more flesh on display than a Friday night karaoke crawl. Aging name actor Cameron Mitchell stars as the skipper of a rusty tub washed up on Warrior’s Island, home to a renegade group of grinning, clapping cannibal monks who can reanimate the corpses of disgraced martial artists to do their bidding.

Greatest Pinoy Rambo Ripoff: No Blood No Surrender (1986) God knows there were more than a few, but this one takes the biscuit. The corpse-thin comedian Palito (Ram-Buto, James Bone) is our Stallone clone, running around the Filipino jungle clutching a machine gun twice his size! With Max Alvarado, Ruben Ramos, Panchito as his commander sent to "bring him in," and a surprise cameo from FPJ as – wait for it – actor Sylvester Stallone!

Greatest Pinoy Midget Spy Films: For Y’ur Height Only (dir. Eddie Nicart, 1981) Over the astounding course of the film our 2 foot 9 hero Secret Agent 00, a curious little brown creature with a receding Ramones bowl cut and an all-white suit and boater, cracks an international drug ring, gets the girl, loses the girl (“Irmaaaaa!”) and infiltrates the secret lair of evil criminal mastermind Mr Giant (played, appropriately enough, by three-foot dwarf star Goliath!), all with an armful of gadgets and his famous trick of punching someone in the balls, then running between their legs. It’s not just the novelty of seeing a Filipino midget pretending to be a gun expert and ladies’ man, or the inexplicable thrill of watching bad (and I mean BAD) kung fu movies. Maybe it’s the surreal dubbing that takes For Your Height Only into another dimension. Perhaps it’s a combination of its constituent elements, or something new altogether… followed by The Impossible Kid (dir. Eddie Nicart, 1982) midget superhero Agent OO is back and is shorter than ever in his little white suit and pudding bowl haircut, now working for the Manila branch of Interpol. The Chief, a low-rent version of M complete with his own Miss Moneypenny, sends him in the pursuit of Mr X, an arch villian with a white sock on his head, who is holding the Philippines to ransom. Two businessmen, Senor Manolo (classic bad guy Romy Diaz) and Don Simeon (Tony Carreon), pay the demands but Weng Weng suspects foul play and goes deep undercover to reveal the identity of Mr X. Here the James Bond references kick into top gear: Agent OO has even MORE gadgets at his disposal, including a miniature bike which sounds like one of those high-pitched grass cutters and does an incredible leap across a ravine - along a very visible wire! Another highlight is an incredible stunt where Weng Weng gets to use his circus training and walks along a tight rope between two buildings. He then jumps down a garbage chute straight onto his waiting motorbike. Impossible? Mais non!

Greatest Pinoy Western Parodies: It’s a one-two punch from two-foot-nine superstar Weng Weng, whose first hit movie was in Da Best In Da West (1981) as Dolphy’s miniature deputy Bronson. RVQ’s joyously elaborate tribute to the Golden Age of Pinoy Westerns features cowboy sensation Lito Lapid as Dolphy’s straight man and every familiar “goon” from the Sixties and Seventies. Followed by D’Wild Wild Weng (Eddie Nicart, 1982), one of Weng Weng’s rarest starring roles as “Mr Weng”, a government agent sent to the troubled Santa Monica to rescue the townsfolk from the corrupt new Mayor (Romy Diaz). It’s a midget Filipino spy western with half the cast in Mexican mustaches and sombreros, and the other half – a tribe of dwarf “Red Indians” – in war paint and feathers!

The Greatest Female Pinoy James Bond: Never has Filipino cinema been so gloriously derivative, so cheesily Seventies, or so much goofy, jaw-on-the-floor fun than in the “Cleopatra Wong” trilogy from director Bobby A. Suarez. They Call Her…Cleopatra Wong (1977) starts the series with an outrageous pan-Asian actioner starring Singaporean beauty Marrie Lee as the high-kicking disco diva, weapons expert and secret agent Cleopatra Wong. While on holiday in Manila, Cleo uncovers a major currency counterfeit operation, and immediately her kindly but sleazy Interpol chief orders her on the trail. Clad in orange hotpants and white boots, shooting through thin air on a turbo bike and taking on thirty balding wrestlers at once, it’s little wonder fanboy Asian fetishist Quentin Tarantino cites Cleo as a major inspiration for his Kill Bill series. In a classy display of Filipino ingenuity, producer/director Bobby A. Suarez milks his international locations for all his micro-budget allows: from a chop-sockfest above Hong Kong harbour and a riotous free-for-all on Singapore’s Sentosa Island to the film’s explosive finale, a thirty-minute undercover raid on a monastery with Cleo and co in nuns habits (and moustaches) tearing up the Philippines countryside in possibly the only entry in the "Nuns with Guns" subgenre.

In Dynamite Johnson (1978), the Bionic Boy returns - and Cleopatra Wong (Marrie Lee) is his auntie! While in hospital his bionic ear picks up a burns victim rambling insanely about a fire-breathing dragon. The 'Dragon' is later revealed to be a neo-Nazi organization complete with bleached Aryans with eyepatches, who plan to blow up the world's major capitals starting with Hong Kong (why?). Our diminutive part-animal part-machine, aided by the cat-like Auntie Cleo, dispatches the denim flared cartoon baddies kung-fu style with a stoopid-sounding synthesiser da-na-na-na-na-na-na.

Devil's Three (aka Devil’s Angels, Pay Or Die; 1979) sees Cleopatra Wong in her third and final adventure with a cross-dressing Franco "Chito" Guerrero and a 300 pound psychic sidekick!

Greatest Pinoy Amputee Revenge Film: The One-Armed Executioner (1982) An essential addition from director Bobby A. Suarez to the short- lived 'Amputee Revenge' subgenre. Interpol agent Ramon (Cleopatra Wong’s Franco Guerrero) is horribly truncated by the henchman of an evil drug baron. The super-suave Wayne Newton lookalike turns into an embittered One-Armed alcoholic beaten up by Two-Armed dockside bums. His former boss tracks him down and sends him to a One-Armed kung fu training camp, turning the digitally-challenged agent into a One-Armed killing machine. Like you can't see the arm under his shirt!

Greatest Pinoy Christian Gore Film: The Killing Of Satan (dir. Efren C. Pinon, 1983) On the surface a delirious Catholic horror - Ramon Revilla as a Jesus figure squaring off against a red-stockinged Satan! – but with much deeper roots in pagan folklore, and brimming with startling, primordial snake imagery.

Greatest Pinoy Vampire Films: National Film Artist Gerardo de Leon crafted two masterpieces of atmospheric gothic horror in the mid Sixties: Kulay Dugo Ang Gabi (export title “The Blood Drinkers”, 1964) and Ibulong Mo Sa Hangin (export title “Curse Of The Vampires”, 1966), both featuring the stunning though doomed Amalia Fuentes, and dripping with European-style atmosphere. In Kulay…, Ronald Remy is striking as the complicated villain Dr Marco, as bald as Nosferatu in dark glasses and snappy 60s black outfits, and simultaneously terrorizing a secluded jungle village while pining for his dying vampire love Katrina. As well as a vampire, he’s a man of science and medicine, and with the help of his hunchbacked assistant and mute dwarf, he plans to transplant the still-beating heart of the village girl Charito into Katrina (both played by Amalia Fuentes). Modern technology and traditional faith are constantly juxtaposed in a film which cuts between colour film and black and white footage tinted in cool blues and blood red. Ms Fuentes returns in Ibulong… as the heroine Leonore, a tragic figure at the centre of the doomed Escudero family riddled with vampirism and more. The father Don Enrique (Johnny Monteiro) denies permission for her to marry Daniel (Romeo Vasquez), a pure-hearted local lad who promises her to love her even from beyond the grave, due to the family curse - vampirism, like madness, is borne by blood, and he has unwittingly kept the curse alive by keeping his vampire wife Dona (Mary Walter) locked in the basement. Every night she wakes up in her coffin, her now-animalistic screams pleading for blood. Don Enrique is forced to whip her into submission but can’t let go – the family has become insular to the point of incestuous. Filipino gothic was a relatively small and short-lived genre, but de Leon certainly made it his own; weird without intent and without a single trace of kitsch, this is, along with The Blood Drinkers, undoubtedly one of Filipino horror’s finest moments.

Greatest Mutant Pinoy Monster films: The “Blood Island Trilogy” A trio of ooze-soaked atrocities tailor-made for the sex-and-blood crowd in US drive-ins. An insane Dr Moreau-like scientist, played alternately by Ronald Remy and Eddie Garcia, experiments on atomic mutations to the horror of visiting American John Ashley and his bevy of buxom bathing-suited beauties. Brides Of Blood (Eddie Romero, 1968), Mad Doctor Of Blood Island (Eddie Romero & Gerry de Leon, 1969) and Beast Of Blood (Eddie Romero, 1970)… Eddie told me both he and Gerry de Leon considered these films to be the WORST they’d ever made. Eddie, I for one violently disagree…

Greatest Pinoy Blaxpoitation Films: Again, not one but SIX in a row courtesy of Uncle Cirio, turning his wild mutant stew of black actors, kung fu thrills, flares, funkadelic guitars and exotic Filipino scenery into some his most successful exports: Savage! (1973), TNT Jackson (1974), Bamboo Gods And Iron Men (1974), Ebony Ivory And Jade (1976), The Muthers (1976) and Death Force (1978).

Greatest Mad Max Ripoffs: Stryker (dir. Cirio H. Santiago, 1983) The first of Santiago’s MANY Road Warrior riffs, a startlingly good vision of a post-apocalyptic world in chaos and littered with souped-up cars, white warriors in leather and studs, and an army of mutant dwarves with blowdarts. Then there’s W (aka W Is War; dir. Willy Milan, 1983), possibly the most outrageous, if only, entry in the Gay Post-Apocalypse (or “Gaypocalypse”) genre from veteran cheesemonger Willy (Clash Of The Warlords, Ultimax Force) Milan. Imagine an unnatural wedding of Mad Max and Death Wish: undercover cop Ally aka W2 is neutered by a futuristic, Nazi, Satanic and very non-hetero biker gang. Unable to pleasure his now-promiscuous wife, he embarks on a revenge spree against the eeeeevil Nesfero’s gang – in a souped-up penis subsititute! A squalling, fuzzed-out biker soundtrack, pointless explosions galore and literally every available stunt guy in Manila tumbling to their “deaths” make this the high watermark of insane Filipino cinema.

Greatest Pinoy Kung Fu Film: The Return Of The Dragon (dir. Celso ad. Castillo, 1974) Ramon Zamora trades in his usual cheap yuks for a more restrained and almost mythic performance in this uniquely Pinoy tale of death and retribution. With stunning direction from Da Kid, the always gorgeous Lotis Key, and of course the forceful presence of Zamora cementing his position as the Bruce Lee of the Philippines.

Greatest Miniature Pinoy Fantasy: Stone Boy (aka Boy God, 1983) Boy Wonder Nino Muhlach literally shrinks The Clash Of The Titans, donning toy armour to battle giants, a cyclops, Medusa and a staggering array of mythical creatures, all realized on a hundredth of its inspiration’s budget.

Pete Lacaba

From Pete Lacaba's blogsite

The recent Active Vista film festival--at Robinsons Galleria IndieSine, from November 26 to December 2, 2008--had, as opening film, Lino Brocka’s Orapronobis (a.k.a. Les Insoumis, a.k.a. Fight for Us) and, as one of the closing films, Signos, a 40-minute documentary made by a Concerned Artists of the Philippines team led by Mike de Leon. As the screenwriter of Orapronobis, and as a member of the team that worked on Signos, I must confess that I was pretty flattered to have served as some kind of parenthesis for the filmfest.

After the Orapronobis screening, I got introduced to an Australian writer and occasional filmmaker named Andrew Leavold, who’s doing--believe it--a documentary called The Search for Weng Weng. Yup, it’s about the late Weng Weng, the diminutive actor who in the 1980s played a Pinoy James Bond code-named Agent 3 1/2, Agent 00, and Agent 007 1/2 in various movies. Check out Andrew’s fantastic blog:

Hearing Andrew talk about his unbelievable love affair with Pinoy B movies reminded me of an old article I had written back in the late 1970s, so I dug it up and dusted it off and sent him a copy. Here it is.

Movies, Critics, and the Bakya Crowd

by Jose F. Lacaba

(From AAP Liham, Vol. 3 No. 4, March 1979. AAP is the Art Association of the Philippines.)

The term bakya crowd was coined back in the Fifties by a prestigious director to describe the mass audience which, he felt, was incapable of appreciating the merits of his award-winning films. These days we can’t use the term with the same cavalier attitude that attended its coining. Largely as a result of current attacks on elitism, we can no longer contemptuously dismiss that large chunk of the population encompassed by the term bakya crowd; and the word bakya itself, like indio before it, is fast becoming a badge of honor in certain circles.

Still, the opprobrium once attached to the term has not been entirely eradicated. Traces of it may be detected, for instance, in a movie critic’s recent witticism: “There’s no such thing as a bakya crowd. There are only bakya producers.”

That the term bakya in its extended meaning has both pejorative and acceptable connotations indicates the ambivalence of our attitude toward the crowd called bakya. When you come right down to it, bakya crowd is synonymous with masa, and nowadays everybody pays lip service to the masses. We cannot afford to look down upon them as a social class or a political force. But the masses as patrons of culture? The idea seems preposterous.

We may profess to find some of the forms and aspects of mass culture charming, particularly if, as in the case of the moro-moro and the sinakulo, these are virtually extinct or are threatened with extinction. But confronted by forms of mass culture that are alive and current--radio soap operas, television variety shows, komiks, the general run of Tagalog movies--we are bewildered and appalled.

Our attitude toward Tagalog movies is instructive.

The local movie industry, where the term bakya crowd originated, classifies Tagalog movies into two major categories. In the lingo of the industry, they are either commercial (also known as bakya) or hindi commercial (also known as pang-FAMAS).

The commercial movie is anything aimed frankly at the box office. The producer’s intention here is primarily to make a profit, and though the intention does not always succeed, it dictates what type of movie is to be made, how it is to be made, who its stars will be, etc. For this reason, the commercial movie prefers tried-and-true formulas to innovation and experiment, sticks to genres or follows trends proven to have box-office pull, and generally provides escapist entertainment.

The noncommercial movie--sometimes referred to as prestige picture, quality picture, or art film--has aims more ambitious than mere profit and more serious than mere entertainment. Those who indulge intermittently in its production are either incurable romantics with noble intentions and boundless optimism, or thoughtful veterans who have made a lot of money on commercial flicks and feel it’s time to try for a FAMAS statuette or two.

A few films that fall under this category have turned out to be sleepers--that is, unexpected commercial successes. Lino Brocka’s Tinimbang Ka Ngunit Kulang is a notable example. But such movies are rare, very rare, exceptions. As a rule the noncommercial movie is box-office poison, however much it may blow the minds of critics.

The Popular Nerve

There’s a joke in local movie circles that it’s a bad thing to be praised by the critics. A rave review is supposed to spell death at the box office. The joke smells of sour grapes, and the industry obviously does not take it seriously. The truth is that producers are dimly aware of both the potential and the actual power of critics, as indicated by the fact that they occasionally threaten to withdraw movie ads when reviews get too nasty, and liberally quote the critics in those same movie ads when the reviews happen to be favorable.

Still, there’s a bit of truth in the joke. Those of us who care about the “art of film” and are at the same time interested in Filipino movies do tend to favor the noncommercial variety. The movies made expressly for the mass audience usually leave us cold--or even arouse the killer instinct in us, so that we feel an urge to tear those movies to pieces and hold up to ridicule the people who have inflicted such banalities on us.

Our reaction is understandable. Though commercial Tagalog movies have been made that exhibit a modicum of sense and a measure of technical finesse, the bulk of this particular commodity is indeed so shoddy, so inept of craftsmanship and inane of content, that we are justified in our contempt.

But our reaction reveals as much about ourselves as it does about the movies we react against. It is, in part, a reflection of the extent of our alienation from the mass of Filipinos who make up the bakya crowd. We cannot appreciate mass culture, we cannot even view it with sympathy and understanding, because we have been conditioned--by our social origins, our educational background, our cultural orientation--to regard as inane and inept whatever does not measure up to our exalted notions of art and culture.

This is particularly true of the movies. As a result of ongoing re-evaluations in the field of drama, for instance, and also because of the influence of the tourist industry, we have learned to regard with equanimity the presence of Castilian knights and Roman centurions in folk theater. We can even accept the anachronism and unintended comedy of a sinakulo Christ wearing a wrist watch and rubber shoes on his way to Calvary. But Filipino cowboys and samurais on our movie screens! The very idea insults our intelligence.

Part of the reason for this may be that film is a 20th-century medium, and we expect more from it than from folk theater. But we tend to forget that the social and historical conditions that gave rise to Philippine folk theater still exist in the country in this seventh decade of the 20th century. This explains why the creators and patrons of folk theater are still very much around, dictating the shape and content not only of vanishing theatrical forms but also of the very much alive “art form of the 20th century.” Thus, the peasant mind, still befogged by feudal miasma, makes possible the anting-anting movies of Ramon Revilla.

The point here is that there is a bakya crowd--or rather, since the term can be both offensive and misleading, there is a mass audience out there whose tastes and cultural level are different from ours, whose very conception of culture does not coincide with ours.

In other words, the existence and proliferation of bakya movies is not solely the fault of bakya producers, although they certainly bear a great part of the blame. The bakya movie exists because there is an audience for it, because it is popular. And it is popular because it provides escapist entertainment, besides allowing moviegoers to forget the oppressiveness of daily living, besides helping to take their minds off inflation and poverty and the immediate problems that beset them, and also--paradoxical as this may seem--because it touches something vital in the popular nerve.

The Formalist Tradition

In his essay “An Approach to the Filipino Film,” literary and film critic Bienvenido Lumbera points out that a major concern of the film student in evaluating a Filipino movie should be “the centrality of content.”

Elaborating on this point, Lumbera writes: “What does the film say about man in a society in ferment? How does it view the problems that confront man in his struggle against nature and men who seek to exploit him? This is not to insist that every film make a philosophical statement or engage in social analysis. This is simply to remind the directors that filmmaking in an underdeveloped country should be primarily a way of saying, not making magic with picture machines.”

Those of us who are interested in Filipino films tend to forget the point raised by Lumbera. We have been nurtured in the formalist tradition of the New Criticism in literature, and we carry our biases into our study of the movies. Just as we are inclined to scrutinize a poem or novel textually, without reference to its social and historical context, so too we analyze a movie in terms of how it is constructed (“breathtaking photography,” “expert editing,” etc.) instead of what it is saying.

When we do pay attention to content, we labor under the misconception that only the good artistic movie has something to say--or at least something to say that deserves consideration. We think that the commercial movie, and especially the badly made commercial movie, has nothing to say, or that what it has to say is beneath contempt.

To the mass audience, the opposite is true. Serious films like Maynila: Sa mga Kuko ng Liwanag and Nunal sa Tubig, though made with intelligence and care, may make no sense to the bakya crowd. This is so not only because these movies deal with subject matter and use techniques that are new and unfamiliar in Tagalog movies, but also because the problems they tackle are of no interest to the mass of Filipinos living today. Alienation, dehumanization, existential despair, and the absurdity of the human condition may loom large in the minds of middle-class intellectuals, but these could well be of little concern to the uprooted provincianos or the coastal villagers who are ostensibly the subjects of these films.

On the other hand, out-and-out commercial movies may have something vital and basic to say to the mass audience--and in terms it can easily grasp. The standard Fernando Poe Jr. movie, for instance, deals with themes that appeal to the popular imagination and express certain popular aspirations. It is often set in some never-never land with no basis in history or present reality, a fact that turns off the critics; yet this setting, no more fantastic than the symbolic Albania of Florante at Laura, does not make the thesis of the typical Poe movie any less valid.

The Poe character is usually a patient, long-suffering individual who, when his patience has been stretched to the limit by the violence of his oppressors, is not averse to using fists and guns to defend or avenge himself. It is a character the Filipino peasant, likewise blessed with legendary patience, may find easier to identify with than the extremely simple-minded peasant anti-hero of Ganito Kami Noon... Paano Kayo Ngayon?

The war epics that used to be a Poe staple are likewise closer in spirit to the folk conception of wartime history than the critically acclaimed Tatlong Taong Walang Diyos. The guerrillas in the Poe epics were often too superheroic to be credible, but they did not depart from the popular image of the guerrilla as a freedom fighter resisting foreign invasion. In Tatlong Taon, the guerrillas are either horrifying grotesques or naive USAFFE types fighting America’s war in the Pacific, and the only Japanese we see is an officer who, though he rapes a village girl, still comes out looking as cute and lovable as Christopher de Leon. No doubt there were bad Filipino guerrillas and good Japanese officers during the war, but to tip the balance in favor of the latter, as Tatlong Taon unwittingly does, goes against the popular grain.

The Human Condition

One strong quality of the Poe character is that he is incapable of wallowing in despair. He may be assailed by doubts, but in the end he always gets over his doubts and goes into action. Unlike the Rafael Roco Jr. character in Lunes, Martes, Miyerkules, Huwebes, Biyernes, Sabado, Linggo, who ends up accepting things as they are, the Poe character believes in the necessity of struggle, operating on the assumption that the human condition presents much to protest against but nothing to despair about. Thus, the Poe movie always ends on a note of hope. Perhaps the hope is illusory, and then again, perhaps it could be a stimulant for the downtrodden.

This extended disquisition on the Poe movie is not meant to be a denigration of films like Ganito, Tatlong Taon, or Lunes. Nor is this an argument for swallowing--hook, line, and sinker--the phenomenon of mass culture as it exists today. We need not justify what is blatantly opportunistic and exploitative in commercial movies.

What we are driving at here is simply that commercial movies made for the bakya crowd, for the mass audience, are as deserving of serious study as the works of noncommercial film artists. They are as worthy of critical exploration as the films we hail as masterpieces.

As movie critic Pauline Kael notes in her essay “Trash, Art, and the Movies,” whether a movie is good or bad is sometimes of less interest than why so many people respond to it the way they do.

“Sometimes,” Kael writes, “bad movies are more important than good ones just because of those unresolved elements that make them such a mess. They may get something going on around us that the moviemakers felt or shared and expressed in a confused way. Rebel without a Cause was a pretty terrible movie but it reflected (and possibly caused) more cultural changes than many a good one. And conceivably it’s part of the function of a movie critic to know and indicate the difference between a bad movie that doesn’t much matter because it’s so much like other bad movies and a bad movie that matters (like The Chase or The Wild Ones) because it affects people strongly in new, different ways. And if it is said that this is sociology, not aesthetics, the answer is that an aesthetician who gave his time to criticism of current movies would have to be an awful fool. Movie criticism to be of any use whatever must go beyond formal analysis.”

Pinoy Kung Fu Register 1972-1981

1972 – The Pig, Boss (Luis San Juan Productions/DAJ Bros. Films)

Director Luis San Juan Story/Screenplay Jun San Juan Cinematography Susing M. Corpus Music Pablo Vergara

Cast Ramon Zamora, Vina Moreno, Jane Laurel, Amanda Suarez, Ben Perez, Soraya, Vic Gaza, Tange, Balot, Pabo, Pepot, Golay, Penggot, Menggay, Joann Griffith, Rudy Evangelista, Larry Esguerra, Jess Santos, SOS Daredevils, Monina Rojo, Menchie Palma [other sources list Mandy Bustamante]

1972 – The King Plaster (Luis San Juan Productions)

Director/Producer Luis San Juan Story/Screenplay Jun San Juan Music Pablo Vergara Cinematography Fermin Pagsisthan

Cast Ramon Zamora, Jane Laurel, Menchie Palma, Tange, Mandy Bustamante, Pancho Pelagio, Menggay, Pepot, Penggot, Golay, Rudy Evangelista, Val Iglesia, Annie Crisostimo, William Mely, Tony Wang, Art Velasco, Mauricio, Bobby Blason, Leo Curay, Roland Falcis, Jun Velasco, Jay Grama, MM Stuntmen, SOS Daredevils, Louie Florentino, Gilbert Brown, Linda Yu, Rosa Luna, Linda Castro

1973 – Alamat Ni Limahong (Dynasty)

Director Dan Inocencio Screenplay Mauro Cabuhat Editor Jett Espiritu Music Doming Amarillo

Cast Ramon Zamora, Paquito Diaz, Marites Revilla, Cristina Reyes

1973 - Shadow Of The Dragon (Topaz Film Productions)

Director Jun Gallardo Story/Screenplay Ka Ikong Producer Jun Dominguez Music Tito Sotto Cinematography Jojo Sangco

Cast Ramon Zamora, Jeanne Young, Elfe Brandeis, Eddie Garcia, Panchito Alba, Max Alvarado, Michael Murray, Ike Fernando, Rayvann

1973 – Pasiklab Brothers (Luis San Juan Productions)

Director Luis San Juan Screenplay Jun San Juan Cinematography Z. Corpuz Music Pablo Vergara

Cast Ramon Zamora, Balot, Tange, Pepot, Golay, Pugak, Penggot, Teroy de Guzman

1973 - Cobra At Lawin (Lords)

Director Danilo Cabreira Screenplay Humilde “Meek” Roxas

Cast Ramon Zamora, Vic Vargas, Rosanna Ortiz, Eva Reyes

1973 - Fist To Face (ESA)

[release date 23rd May 1973]

Director Charlie Ordonez Screenplay J. Tirazona Cinematography Joe Tutanes Music Geyju

Cast Roberto Gonzalez, Bentot, Pugak, Jerry Pons, Ngongo, Tintoy

1973 – The Blood Hero (Mirick)

[release date 22nd October 1973, rereleased 18th April 1975; HK export title “Bloody Hero”]

Directors Chik Yiu Cheung, Danny Ochoa Script Zackey Chan Ngai-Wai Producer Choi Chan-Diy Executive Producer Jesse Chua Associate Producer Raul Bagatsing Fight Instructors Poon Yiu Kwan, Tito Aquino, Ernie Ortega Cameraman Leung Kai Tak Makeup Artist Soledad Mauricio Stills Rogers, Remigio Young Propsman Leoncio Mariano Layout/Titles Franz Bejec Cameraman Ho Huk Wai Production Coordinator Rosita Yu Assistant Directors To Man, Angel Labra Production Managers Poon Yiu-Kwan, Michael Fung Kin-Kuen Presenter Tai Kam

Cast Meng Fei, Romy Mallari, Unicorn Chan, Christina Reyes, Dick Israel, Anna Marie Chen [sometimes listed as “Chan”], Ernie Ortega, Tito Aquino, Ruben Ramos, Mandy Bustamante, Jose Diamson, Gonzalo Salvo, Geraldine, George Ting [IMDB also lists Bruce Le; HKMDB lists Poon Yiu-Kwan, Lee Hang, Pomson Shi, Amelie, Luo Ming, Koo Si-Ting]

After a shipment of arms is robbed by masked ambushers in swimming trunks, local gang leader Mr. Simon (Ruben Ramos) suspects the residents of Hoi Si village, and orders his second-in-command (Ernie Ortega) to have his men tear it apart. Ramos comes up with a better plan, though, and plots to get influence over village chief Fong Tai Wen through his wastrel drunkard son Fong Tai Yuen (former child star Unicorn Chan). Playing on his laziness, vanity and avarice, Yuen agrees to get the lease to his father's land signed over to the local mob so they can grow their own opium crops there.

New arrivals to the village Han Wei (a heavily-disguised Dick Israel) and his daughter Susan are attacked by mob goons, and farm workers the Fong brothers (kung fu superstar Meng Fei and former romantic movie idol Romy Mallari) run to the rescue. Han Wei claims to be from the north (where "the Japs have taken over now") and looking for relatives. After discussing the possibility of a Japanese invasion in the south, Fong Tai Wen allows Susan and Han Wei to stay on his farm.

Yuen pitches the idea of turning the family business into an opium farm to his father, who unsurprisingly isn't keen on the idea. Later, the Fongs return home from working on the farm to find goons searching the house for the title deeds, and when Meng Fei finds that Han Wei and Susan were conveniently absent at the time, begins to suspect that they have something to do with it. Yuen is then persuaded to steal his father's lease, but he's stopped by Wei Han before he can get away. Confronted by his father, Yuen runs away, only to return the next day with a gang of mob goons who kidnap, and subsequently torture, Han Wei.

Still suspicious of Susan, Meng Fei follows her to a secret hideout in the woods, and after a brief scuffle with some of her compatriots, Susan confesses that Han Wei is neither her father, nor an old man looking for relatives. He is in fact the leader of a group of patriotic rebels, the ones responsible for the hijacking at the start of the film. They're trying to prevent the exchange of guns for opium between the mob and the Japanese, who are trying to establish a nest of collaborators in the south prior to an invasion.

That night, while Yuen is out laughing and drinking and whoring up a storm with the boys, he agrees to become Mr. Simon's adopted son. Meanwhile, the other Fong brothers, Susan and the patriots sneak ninja-style into Mr. Simon's house and rescue Han Wei. Mr. Simon and his goons rush to the scene to prevent them getting away, and a big running battle ensures. The good guys split up to increase their chances of escaping, and although they put up a great fight, Romy and Susan are captured. Han Wei, wounded and exhausted, almost gets away, but Yuen catches up with him, and they fight. In the struggle, Han Wei falls down a steep rocky cliff.

One of the patriots, placed in the gang as a spy, overhears Mr. Simon and his second-in-command come up with a plan to murder old Mr. Fong. He's caught snooping and tries to run away, but he's caught and stabbed by goons. One of the bar girls witnesses the murder, and the spy stays alive just long enough to tell her Mr. Simons's plot. She tries to tell Yuen, and although sceptical, he returns home just in time to see his father die of a stab wound. Meng Fei castigates him: "You selfish swine. You've got no honour! You're no longer my brother," etc., etc.

Meanwhile, Mr. Simon's gang escalate their campaign of skullduggery in the village, beating up innocent people, stealing the title deeds to their land, and all manner of distasteful malarkey. Yuen watches on, not exactly happy with the situation, but not exactly getting up off his arse to do anything about it, either. Then a couple of goons go to old Mr. Fong's wake, demand his property, and deface his funeral picture. Yuen returns home to see the vandalism (I'd almost swear he calls Meng Fei's character 'Roger' at this point, but it's buried under Claudia Cardinale's theme from 'Once Upon a Time in the West', so I can't be sure), but his brother sends him away. After restoring his father's picture to the appropriate place, Yuen walks away, appropriately humbled by the rebuke, and determined to atone for his sins.

'The Blood Hero' is a good solid basher, with plenty of conflict both moral and physical, engaging leads, a minimum of tedious exposition, and plenty of people kicking one another. Unlike many similar kung fu movies, it neither loses focus on its main plotline, nor bogs the narrative down with extraneous characters thrown in to pad the running time to feature length. Meng Fei ('Prodigal Boxer', 'Clutch of Power') and former Pinoy teen sensation Romy Mallari (who appears in such schmaltzy-sounding films as 'My Pledge of Love', 'I Love You Honey', 'From The Bottom of My Heart', 'I Do Love You', etc.) make a good team, and are persuasive and sympathetic as the decent, hard-working, filial sons opposed to the immoral selfishness of their prodigal brother. Unicorn Chan, best known as Bruce Lee's co-star in a number of Cantonese dramas as a child, and for exploiting that relationship after Lee's death by splicing secretly filmed footage of Lee into 'The Unicorn Palm', gives a decent performance as the corrupt, conflicted brother, and if he doesn't quite pull it off all the time, it's usually a decent effort.

The fight scenes are good and plentiful. Shot and edited with tremendous energy, everyone comes off well in the hands of action directors Tito Aquino, Ernie Ortega and Poon Yiu Kwan (one of the action directors of King Hu's genre-bending classic 'A Touch of Zen', who pulls triple duty as action director, production manager, and onscreen goon). All of the individual fights are of a consistently high quality, and it's particularly impressive to see Romy Mallari, not someone who seems to have had much experience with kung fu movies, kicking and punching his way through waves of goons with just as much verve and style as the rest of the cast. Dick Israel is also called upon to pull off some pretty tricky combinations in the final fight sequence, and does so with surprising aplomb. One of the highlights of the film, though, is when our remaining heroes face off against a small army of nunchaku-whipping goons, and Unicorn Chan makes an unusually impressive stand against them with the three-sectioned staff.

It's been said many times that a hero is only as good as his nemesis, and if Meng Fei et al come across as convincingly heroic in this film, at least some of the thanks is due to Ruben Ramos and Ernie Ortega. Not only are they thoroughly villainous, they're actually distinct, well-defined characters. Ernie Ortega as the right-hand man (unnamed, like most of the main characters) is a cunning, intelligent, smooth-talking, laid-back kind of villain, who practically coos the virtue of money and the worthlessness of hard work into Unicorn Chan's ear. Ruben Ramos's Mr. Simon, on the other hand, is, frankly, a crybaby. Most of his dialogue consists of bitter complaints about how badly things are going for him and how none of it is his fault. He does, however, get to show off his wicked knife skills (also glimpsed all-too-briefly in 'The Revenge of the Lady Fighter') in the final conflict.

Despite a few gaping plot holes, characters who disappear and re-appear, and a lack of enthusiasm in the dubbing booth, 'The Blood Hero' is skillfully made, well-paced, and entertaining from beginning to end, and is, at the very least, well worth 89 minutes and 47 seconds of anybody's time, although anyone hoping to spot Bruce Le anywhere in the cast will be disappointed, as he never makes an appearance.

1974 – The Game Of Death (Topaz Film Productions)

Director Jun Gallardo Story/Screenplay Ka Ikong Producer Jun Dominguez Cinematography R.M. David Music Tito Sotto Fight Director Ramon Zamora

Cast Ramon Zamora, Evangeline Pascual, Eddie Garcia, Panchito Alba. Roldan Aquino, Max Alvarado, Mayra Morena, Evalyn Forster, Edna Diaz, John Plater, Mark Anthony, Julian

1974 – The Dragon Force Connection (Topaz Film Productions)

Director Nilo Saez Story/Screenplay Marvin P. Panganiban Producer Jun Dominguez Music Tito Sotto Cinematography Ben Lobo

Cast Ramon Zamora, Evangeline Pasquale, Charlie Davao, Edna Diaz, Renato Robles, Roldan Aquino, Subas Herrero, Rommel Alcala, Vic Diaz, Randy Robledo, Cisco Oliver, Jeff Marshall, Bob Mount, Mark Le Buse, Nigel Hogge, Lloyd Nelson

1974 – Return Of The Dragon (FGO-RSJ Productions)

Director/Writer Celso Ad. Castillo Screenplay Mike Relon Makiling Music Tito Sotto

Cast Ramon Zamora, Lotis Key, Leila Hermosa, Paquito Diaz, Tsing Tong Tsai, Roldan Aquino, Danny Rojo, Michael Murray, Ernie Ortega, Joaquin Fajardo, Ruben Ramos, Sancho Tesalona, Joe Cunanan, Steve Alcarado, Leon Pajaron, Jun Santos, Cris Buddha Cruz, Dagul Se, Joe Kelly, Johnny Ramirez, Danny Riel, Groovy Ver, Doming Reyes, Armando Mangaring, Rod Francisco, Edna Diaz, Charina Alonzo, Perry Santos, Rhonna Mercado, Lilian Cruz, Ben Perez

1974 – Murder In The Orient (Ilocandia Productions Inc)

[Philippines release date 15th March 1974, original title "Manila Gold"]

Director /Writer Manuel G. Songo Story Idea Anthony Reyes Executive Producer Cirilo M. Quilala

Cast Ron Marchini, Leo Fong, Eva Reyes, Leila Hermosa, Danny Rojo, Raymond, Jim Delon, Gil Guerrero, Mary Diaz, Robert Talabis, Rodolfo 'Boy' Garcia, Jose Villa Franca, Mario Escudero, Bien Juan, Josephine (Diane), Edgar Garcia, Baldo Maro, Ben Manalo, Boy Caoili, Alex Reyes, Jing Caparras, Ben Romano, Jay Grama, Marlene Sison, Flor Antonio, Mely Antonio, Baby Gallardo, Jimmy Ariel, Gregg Rosero, Mil Arca, PMP Commandos, SOS Daredevils

1974 – Dragon Fire (Lea Productions)

Director Jose “Pepe” Wenceslao Story/Screenplay Mike Relon Makiling Music Ernani Cuenco Cinematography Fortunato B. Bernardo, Oscar Querijero

Cast Ramon Zamora, Gina Pareno, Marissa Delgado, Dencio Padilla, Subas Herrero, Aline Samson, Lita Vasquez, Tsing Tong Tsai, Roldan Aquino, Ruel Vernal, Robert Talby, Joe Garcia, Ernie Ortega, Tony Carrion, Robert Miller, Fred Param, Tony Uy, SOS Daredevils, Linda Castro, Aster Auditor, Pansy Reyes

1974 - The Black Dragon (Yangtze Productions Limited/Joseph Estrada Productions)

[released in Hong Kong as “Xia Nan Yang” and internationally as “Tough Guy”; also released in Germany as “Bruce Lee - Sein Tödliches Erbe”, in France as “Le Héros Du Kung-Fu” and in Greece as “O Avros Drakos Epistrefei”]

Director/Story/Screenplay “Tommy Loo Chung”/Tony Liu Jun-Guk [listed on the IMDB as Chin-Ku Lu] Producers Joseph E. Estrada, Yeo Ban Yee Associate Producer Antonio Go Executive Producer Emilio Ejercito Assistant Executive Producer Jesus M. Ejercito Assistant Directors? Mar D’Guzman Cruz, Diego Cagahastian Cinematography Albert Young Production Manager Philip Coo Unit Manager Fredy Conde Music L. Chow Schedule Master Jun Abarra Props/Effects Jesse Sto. Domingo? Makeup Ip Yat Hing, Remy Andrade English Translation Frankie Deocariza Assistant Camera Chang Hai, Boni Calsado Art/Layouts Ed Santos

Cast Jason Pai Piao (Tai-Lin), “Ronnie”/Ron Van Clief (black boxer), George Estregan [listed on the US poster as Jorge Estraga] (Filipino boxer), Nancy Veronica (Ching Kwei), Thompson Kao Kang (Chi-Fu-Shi), Subas Herrero ( The American's advisor), Mon Hu, Chen Liu [sometimes listed as Chan Lau], Bella Flores, Ruel Vernal (Siao-Mao), Philip Coo, Michael Boffrey, Mary Q. Dy, Cris Cruz, Avel Morado, Romy Nario, Arturo Moran, Tony Kwok Sze [sometimes listed as Tong Kwok-Si], Sauro Cotoco, Blanco Santos, Dy Tong, Mrs Go Ang Se, Renato Chan, Pamela Marsden (brothel owner) [hkmdb.com also lists Lau Hok-Nin, Tony Liu Jun-Guk and Yue Tau-Wan]

Ed Demko’s review on the Bloodtype Online website:

The second film in out exploitation double feature here is the kung fu flick “Black Dragon”. The film is about a young man named Tai-Lin who is a simple plantation worker. When his brother returns from the Phillippines after finding great wealth after being there. Tai-Lin’s then asks his brother for money so that he can go to the Phillippines to make a life for himself. After giving him the money Tai-Lin makes his way there and finds it much different than what was expected. Opium addicts roam the streets and the only place to work is on the docks and after getting a job there, Tai-Lin is promoted to being one of the guards that protect the docks after getting into a scuffle with them and kicking some serious ass. At the same time there is a group of fighters coming to the dock to fight and take over, which would have been possible until Tai-Lin was there. But why are they attacking the boats in the first place? Are they simply robbers looking for money or is does it end up that Tai-Lin finds their reasoning to be quite the cause himself? Either way it ends up a family affair that Tai-Lin has no choice to take part in and show that he’s the supreme fighter in the country.

Very much like the first film on this double feature, the title “Black Dragon” has very little to do with it. Ron Van Chief actually plays the “black boxer” character although he’s billed on the poster as the lead actor. In reality though the lead in the film is Jason Pay Pia playing the character of Tai-Lin. Although it is misleading I have to say that it doesn’t hurt the movie whatsoever. It’s a solid kung fu flick with a really good story that I think that anyone that’s a fan of kung fu flicks will enjoy.

1974 – Manda (Snakewoman) vs Kung Fu (Asia Films)

[release date 26^th April 1974, a Hong Kong-Filipino co-production, export “Devil Woman”, Cantonese title listed on IMDB as “Mo Neuih”; also released as “Kung-Fu Aux Philippines” (France), “Serpientes Asesinas vs Kung Fu” (Mexico) and “Manda vs Kung Fu” (Jamaica)]

Directors Albert Yu, Felix Villar Writer/Producer Jimmy L. Pascual Executive Producer Tommy C. Pascual Cinematography Bon Chic Music Chow Fu Liang Editor Lee Yam Hai Special Effects Michael Fung Makeup Soledad Mauricio Production Supervisor Vic Kwong Assistant Director David “Yau”/Yao Production Manager Ricardo Villamin Wardrobe Supervisor Romano Tablale Setting Mario Carmona Stills Rudy Pisuena Cameraman Frank Leung Fighting Instructors Yuen Ching Wei, Yuen Yan Kwei, To Chow Kwan

Cast Alex Tang Lec (Shu Wen), Rosemarie Gil (Manda), Yukio Someno, Romy “Diax”/Diaz, Johanna García, David Yau, Lito Legaspi, Cherie Gil, Peter Multan, Joe Garcia, Yuen “Yan”/Yang Wei, To Chow “Kwan”/Kwon, Yuen Ching “Kee”/Ke, Robert Chen, Max Rojo

...filmed back to back with...

1975 – Bruka (Emperor Films)

[release date 18^th July 1975; export title “Bruka Queen Of Evil”]

Director Albert Yu Screenplay Jimmy Pascual

Cast Alex Lung, Rosemarie Gil, Etang Discher

1974 – Twin Fists For Justice (Bell Films Inc)

[release date 20th May 1974]

Directors Yang Shih Chin, Danny Ochoa Screenplay Yang Shih Chin Cinematography Ho Huk Wai, Remigio Young

Cast Meng Fei, Vilma Santos, Philip Gamboa

1974 – Chaku Master (Luis San Juan Productions)

[release date 8th June 1974; exported via Hong Kong distributor Ngai Kee & Sons Ltd, released in US cinemas as “Kung Fu Death Wish”]

Director Luis San Juan Executive Producer Florencia Peralta San Juan Music Pablo Vergara Associate Director Panganiban Marvin B.

Cast Tony Bernard, Connie Angeles, Myra Nagalio, Rey Malonzo, Bruce Ly, Andres V. Genito (?), Joe Cunanan, Gerry Geronimo, Pol Ramos, Oscar Reyes, Sun Matagay, Gina Marie Genito, Milian Cedeno, Lily Duran, Nida Eeisa (?), Aida Marovez, Phredy Salon (?), James Larry Gaines, William Macly Jr, Samuel Sm (?), Ric Bavtista, Vic Colinares, Ricky Manson (?), and introducing Mary Grace De (?), Anthony Johns, Romvic De La Cue (?) Killers Fernando Mejias, Vic Gaza, Edgard Ramos, Doming Reyes, Frank Zarate, Oscar Del Rosario, Val Acasio Stunts Yao Yan Boys, LSJ Boys, PMP Stuntmen, The SOS Daredevils

After mastering the martial arts of China, Thailand and Japan, 'Bruce Lee' (Philippines action star Rey Malonzo, billed as Bruce Ly), returns to his home in the Philippines. Which, as everyone knows, is where Bruce Lee lives. Almost immediately upon arrival, he is waylaid by a carload of jive-talking young toughs (including a youthful Jim Gaines), one of whom demonstrates just how badass he is by eating a razor blade and smashing a bottle over his head. After trouncing them soundly, Bruce is then confronted by a second group of thugs, and although the film doesn't stick with the fight scene for very long and cuts away rather abruptly, we have to assume he wins that fight too, although he then suffers a slight setback when his fancy white suit is spattered with mud by a sexy lady driver.

Meanwhile, some townsfolk get together to discuss a recent spate of hijackings; one helpfully suggests getting Bruce Lee to sort it all out for them, but the notion is met with little enthusiasm. Meanwhile, another group of townsfolk, including Bruce's dad, are having much the same conversation in a different location when Bruce turns up.

We are then whisked to the secret villains' lair. "This place is great. A perfect island hideout. No-one can find us here," the arch-villain helpfully expounds. Surrounded by martial artists, cooling beverages and semi-naked (if somewhat plain) women, he seems exceedingly delighted with himself, the only bee in his bonnet being the nuisance of Bruce Lee, whose elimination he gleefully contemplates. "This will be my masterstroke... my masterpiece!"

Elsewhere, a woman mourns the murder of her son and her two grandsons. Searching the crime scene for clues, a local lawman finds a bag which happens to belong to Bruce. He confronts Bruce with the (incredibly flimsy) evidence and Bruce quite reasonably points out what a lame case they have against him. The scene cuts mid-sentence to Bruce wandering the streets, where he is once again set upon by Nando (finally, a character with a name), who has a grudge against Bruce's family because they ran him out of town. Seems fair. After a (quite decent) streetfight, Bruce notices a familiar car drive by, so he runs towards it, jumps, and flips into the front seat.

The driver of the car is the sexy lady who earlier besmirched his white suit, and once they've parked in an appropriately secluded spot, they start making the love. Before they get very far, a handful of goons drop out of the tree like ripe coconuts, and of course Bruce beats them silly. Undeterred, Bruce and his lady friend resume making the love, and she proceeds to fellate him, their tender act of love intercut with footage of barnyard and zoo animals going about their business. By way of thanks, he then steals her car while she sleeps.

Bruce drives home to find a bunch of dead people in his driveway, including his father and a little boy I assume to be his little brother, although obviously the film never bothers defining any of these relationships very clearly. Bruce vows revenge. "Whoever's done this, I swear. I'll catch up with them. I will make them pay for this!" Before he can go anywhere, though, he is stopped by the local constabulary, who warm him (in baffling accents) not to go out for revenge. Surprisingly, Bruce seems to heed this warning, as he stops for lunch in a local eatery, where Nando is riling up some locals by blaming Bruce for the disappearance of Ricky, a local child recently kidnapped.

Bruce responds to Nando's accusations only with the voice of his mind, which we're privileged to listen to. "If you want me, you'll have to get me. But this is some big mistake." Bruce fights a few of them off, then jumps out the window and runs like nobody's business. To consolidate his new identity as a big fat coward, we then see him tending a fire in the forest at night, when he hears the sound of a child crying. His first response is to hide behind a tree, and he watches as the kidnapped boy Ricky approaches his campfire. We know it's Ricky because we get a sudden spurt of internal monologue to that effect: "This is the boy who was kidnapped, he must have been able to see what happened,that's why he was trying to build up the guts to escape 'cause he knew if he stayed there he knew he was never gonna see his home again." Ricky's freedom is short-lived, though, as he is shot about eight seconds later. Bruce carries him off to get medical treatment, but he's stopped almost immediately by some cops and his old pal Nando.

Jumping to the most obvious conclusion, they assume that Bruce has killed Ricky, and want to take him in. Just as Bruce tells them that Ricky can clear his good name and tell them who the real baddies are, Ricky unhelpfully expires in Nando's arms, and Bruce is arrested and put in jail. He breaks out by faking an injury using a cup of red fluid made by dipping his shirt in a cup of water. Presumably the water turns red because of Ricky's dried blood on his shirt, which is pretty disgusting if you think about it. He steals a kayak and makes off, paddling furiously and vowing to find the real crook and clear his name.

Bruce (calling himself 'Mario' now), tries to get a job on a farm, and impresses his lady employer by fighting off local bullies Linus and Fidel. Fidel seems to have had a sheltered upbringing, as he's stunned into paralysis when Bruce breaks into a kind of strange improvised soft-shoe shuffle. When Fidel breaks out his Arnis sticks, Bruce pulls out his nunchakus, and the BBFC pull out their scissors, cutting the scene short.

While labouring on the farm, he finds out that Linus and Fidel are somehow connected to the gang responsible for all the lawless shenanigans and goings-on, and that Connie, his employer is actually Ricky's sister, and she blames Bruce for Ricky's death. Along come Nando and one of his pals to arrest Bruce. He makes a break for it, and after a short chase overpowers his would-be captors. He then sets out to avenge himself on the bad guys, an endeavour which will require all his knowledge of Chinese, Japanese and Thai fighting skills.

Sometimes it's practically impossible to describe a film. All you can do is report what you think you've just seen, and move on. 'Chaku Master' is one of those films. It's by no means the most bizarre film you'll ever see, but it is one of the most convoluted and weird treatments of an incredibly straightforward story you'll ever witness. The infamous blowjob scene, the bad dialogue, and the bizarre internal monologues are all quite strange enough, but there's also something detatched and confused about Ray Malonzo's performance that adds considerably to the weirdness by making it seem as though he just wandered into the film accidentally and can't quite figure out how to get home. He seems perfectly at ease when he's running or kicking someone, but anything that requires him to stand still or speak seems only to befuddle him hopelessly.

The fighting is scrappy throughout, although the last fifteen minutes or so, when Bruce has to fight against a sumo wrestler, a karate expert, a samurai, etc., feature more imagination and creativity than the preceding bash-em-ups. Malonzo is physically quite adept, with a nice repertoire of neat kick combinations, but the choreography is quite ordinary, and the fight scenes are shot and edited with little in the way of energy or style. It's all very unspectacular for a film that begins with a bold notice that it's dedicated to "all the stars, staff and crew who risked their lives on several occasions to give this film authenticity and realism."

Director Luis San Juan had been directing films for at least 12 years by the time he churned out this bewildering shambles, so you'd think he'd have known better. Some people have proposed the notion that it's a deliberate mess, but I tend to think if a filmmaker of San Juan's skill and experience were to make a deliberately bad film, it would be much more grandiose than this one. The plot is so small-scale, the villains so unambitious, and the scope so narrow, that this could only be reasonably conceived as a gritty action thriller, and hardly the kind of platform that a veteran director with a flair for genre spoofs (Ghenghis Bond: Agent 1-2-3, The Pogy Dozen and Dolpong Scarface, among others) would use for the ultimate grand piss-take. So the inescapable, unfortunate conclusion is that 'Chaku Master' is, in fact, every bit as incompetent a piece of work as it seems, and despite Luis San Juan's considerable experience as a filmmaker, any viewer of this film would be forgiven for thinking that the director had ever seen a film before, much less directed one.

Having said that, there's something almost exhilarating in its madness. I don't really believe in the so-bad-it's-good ethos, and it's generally invoked rather condescendingly by people who think they're too good for genre films, but there really is something about this film that makes it hard to actually dislike. It's not the kind of clumsy naivete you occasionally find in z-grade films, or the endearing amateurishness of a first-time filmmaker, but there is a quality of don't-give-a-shit zaniness inherent in the story from the very start, and it lacks the lazy cynicism of truly bad films. The oddities are too plentiful to enumerate - for instance, we're asked to accept that the main character isn't just a fellow who happens to be called Bruce Lee. He is, for the purposes of this adventure, Bruce Lee himself, who for some reason lives in the boondocks somewhere in the Philippines and doesn't seem to be a famous star of film and TV anymore. Footage of Malonzo travelling between airports has clearly been shot using a hidden camera, the edges of the box it's peeping through clearly visible for several minutes. Then there's the chief goon, who is almost the polar opposite of a classic Bond villain, a doughy, paunchy, badly dressed, complacent egomaniac with his incredibly petty aspirations and assortment of rather bored and matronly female companions. There's also the jumpy cuts and ragged elipses caused by excisions made by the British Board of Film Classification who rendered the title meaningless by snipping all footage of chaku mastery as per their long-standing policy against chain weapons. All things considered, the producers of 'Chaku Master' may have done practically everything wrong, but they've managed to make something memorably goofy and difficult to dislike with any real conviction.

Fred Adelman’s review on the Critcon Online website:

This ridiculous semi-intentionally funny Filippino martial arts actioner should only be viewed in a state of total inebriation. A chap by the name of Bruce Lee (Bruce Ly) returns to his Philippines coastal hometown after being away in China, Thailand and Japan learning different fighting techniques, only to find his town overrun by a bloodthirsty crimelord and his many goons. As soon as Bruce sets foot in town, he is attacked by four men in a car (one guy eats a razor blade and swigs from a bottle of booze to prove how tough he is). After defeating them (and getting his pretty white suit all dirty), he heads to his home where he learns about what has been going on since he has been away. The townspeople are glad he has returned and look on him as their saviour. After the crimelord has his men kill most of Bruce's friends (including a little boy), Bruce goes on the warpath but the crimelord sets him up to take the fall in the shooting death of another young boy. He is arrested and thrown in jail, but escapes after making some fake blood and tricking the jailer into thinking that he's hurt. Bruce must prove his innocence as well as bring down the crimelord. Now using the alias "Mario", Bruce defends a young woman and her father from two thugs named Lui and Fedal. To show her appreciation, the young woman gives him a job on her farm shucking coconuts. Finding out that the young woman is the sister of the boy he is accused of killing, Bruce leaves to end the life of the crimelord. His overseas training comes in handy, as he will have to fight Chinese, Thai and Japanese fighters (including a lengthy fight with a sumo wrestler) in order to get to the crimelord. It all ends on the high seas, as Bruce and a sympathetic cop fight the crimelord and his henchman on a junk. Be prepared for an abrupt ending. I can't begin to describe how utterly delirious this film actually is, but I'll try. There's one scene where Bruce defeats a guy named Nando and he then does a backflip into some chick's moving Mustang. They park underneath a tree and begin to make out when a bunch of bad guys fall out of the tree and fight Bruce. After he defeats them, he goes back to making out with the girl. She begins to give him a blowjob and we see the look of ecstacy on Bruce's face, intercut with scenes of zoo animals eating and licking their food! There's another scene of a young boy getting shot in the chest and when the dying kid asks Bruce if he's going to be OK, he says, "Don't worry, it's only a scratch." The boy then dies. It's quite plain to see that this print comes from England because every time Bruce pulls his nunchucks out of his socks, there's a huge edit which concludes with the bad guys lying on the ground and Bruce is no longer holding the nunchucks. The film is missing over four minutes of nunchuck action, thanks to Britain's stance on showing how nunchucks are used may influence children to perform copycat violence (a stance which has since been abolished).

It's really difficult to tell if director/producer Luis San Juan (DOLPHY'S ANGELS - 1980) was trying to make a comedy here (the dubbing makes it seem so, as there were a few moments when I actually laughed out loud at what was being said). The reason why it is so hard to tell is because Filipino productions have no problem mixing slapstick with extreme violence (including the death of children). What's even harder to establish is the year this film was made. Judging from the bell-bottom trousers and disco-style large collar shirts, I want to say anywhere between the years of 1976 - 1980. But, knowing how the Filipinos tend to catch on to American fads later than most other countries, this film could have been made as late as 1984. I did find a 1977 Filipino film titled THEY CALL HIM BRUCE LEE on IMDB that sounds a lot like this film, but the IMDB lists a different director (Francis Posadas). We all know how inaccurate that site can be at times, though, don't we? THE CHAKU MASTER (a kind of ironic title considering what was edited out of it) is grand entertainment, even if it's for all the wrong reasons. Have plenty of alcohol handy. Also starring Tony Bernard, Rey Malonzo (of CLASSIFIED OPERATION and SEARCH FOR VENGEANCE, although I couldn't spot him in the cast) and a brief appearance by Phillipines action stand-by Jim Gaines.

1974 – 7 Crazy Dragons (Roma Films)

[release date 25th June 1974]

Director Tony Santos Sr Screenplay Henry Cuino Music Carding Cruz Cinematography Baby Cabrales

Cast Tirso Cruz III, Edgar Mortiz, Walter Navarro, Nick Romano, Romeo Miranda, Rudy Fernandez, Jay Ilagan, Coney Reyes, Josephine Garcia, Romy Mallari, Joe Sison, Ben David, Lito Calzado, Arnold Mendoza, Tony Santos Jr, “Chito”/Franco Guerrero, Romy Luartes, Edward Torres, Elizabeth Vaughn, Nanette Lizares, Rowena Madrid, Tessie Aquino, Bernadette Escolar

1974 - Kung-Fu Master (Pacific)

[release date 27th June 1974]

Director Leody M. Diaz Writer Wilfredo D. Nolledo Cinematography R. Herrera Music Carding Cruz

Cast Tony Ferrer, Omar “Boy” Camar, Romy Diaz, Lotis Key, “Chito”/Franco Guerrero

1974 – The Pacific Connection (Nepomuceno Productions Inc)

[release date 14th November 1974, also released as “Stickfighter” and “South Pacific Connection”]

Director/Story/Producer Luis Nepomuceno Screenplay Jacques Ehlen, Cesar Amico, Robert Ursul Cinematography Loreto Isleta Sound Director/Unit Production Manager Wilfred Ruiz Editors Emil Haviv, Eli Haviv, Jacques Ehlen Music Yuri Haviv Art Director Johnny Crisostomo Assistant Director Mario David Script Supervisor Dennis Villaconta Wardrobe Lolita Parfina Makeup Angie Castillo Fencing Consultant Mario Escudero Arnis Consultant Remy Presas Samurai Consultant Hiroshi Tanaka Martial Arts Choreography Chiqui Ocampo

Cast Roland Dantes (Ben), Nancy Kwan (Leni), Guy Madison (Old Man), Alejandro Rey (Governor), Dean Stockwell (Miguel), Cole Mallard (Antonio), Gilbert Roland (Allan), Gloria Sevilla (Maria), Hiroshi Tanaka (Mori), Fred Galang (Ramon), Elizabeth Oropesa (Ligaya), Nonet Lagdameo (Bonggo), Vic Diaz (Tsang), Joaquin Enrique (Kin), Teddy Benavidez (Captain #1), Roberto Saez (First Mate), Mark Le Buse (Captain #2)

Julian Grainger's review from Stefan Jaworzyn (ed.), Shock Xpress #1, London, Titan Books, 1991

Every year a lot of movies are made in the Philippines, often produced with American actors and directors filling in the gaps between their Stateside assignments, but until the advent of video very few were seen anywhere else. There are exceptions of course: the Eddie Romero-directed Blood Island films (with John Ashley) were given an extended release in the US, and Roger Corman has had various co-production deals going since the early '70s - co-financing and distributing films by prolific Filipino director Cirio H. Santiago. But usually these movies remain effectively invisible in the West, and actress Nancy Kwan had a second career in Filipino movies during the '70s that has gone almost entirely unrecorded.

One film that does sometimes appear in lists of Kwan's work is The Pacific Connection made by Filipino mogul Luis Nepomuceno. It's a martial arts movie set in the mid-19th century and, with its locations and period galleons, must have had a relatively large budget by Filipino standards. Nepomuceno served as director, producer and writer and it was filmed at his own studio complex on the outskirts of Manila. The film is concerned with a vendetta between wrongly imprisoned farmer Ben (Roland Dantes) and the Governor (Alejandro Rey) who murdered his parents. Ben escapes to an idyllic island where he falls in love with beautiful local girl Leni (Kwan). Eventually the Governor hires a samurai assassin to hunt Ben down and he is forced to fake his own death. Ben is taught the higher martial arts by the mysterious Old Man (Guy Madison) and eventually overcomes his adversaries.

This is an immensely enjoyable movie; Dantes is an expert in arms (combat using sticks) and his skills are used to great effect in several well-choreographed and brutal fight scenes. The film does have its sleazier moments (the Governor's fairly graphic castration as he tries to rape Ben's mother, for example), but unfortunately it is top-heavy with redundant dialogue and the narrative is frustratingly unfocussed and episodic -at one point Ben is sent on a quest to find a magical reed (that will provide him with protection from wounding) yet there was no previous indication of mysticism in the plot. While by no means a classic lost film, it is recommended as a fascinating curio and is a must for all devotees of martial arts on celluloid.

1975 - They Call Him Chop Suey (BAS Films)

Director “June”/Jun Gallardo Producer/Story Bobby A. Suarez Script Nestor Torres Cameraman Arnold Alvaro Editor Fu Lu Tsing [Sung] In charge of production Bonnie Esguerro Assistant Director Jett Espiritu Layouts Eddie Domer Stills Salanga Studios Setting Gregg Blas Wardrobe Nita Soundman Mer Angulla Special Effects Pier Aguilla Technical Adviser Dick Koo Assistant Cameraman Amado de Guzman Production Manager Manny Esguerez

Cast Ramon Zamora (Chop-Suey), Romeo Rivera , Jennifer Kaur, Eva Linda, Pugak, Patria Plata, Bayani Cassimiro, Ivory Wright, Nick Romano, Arnold Mendoza, Mark Le Buse

1975 – Kill The Tiger (First Film Organisation [Hong Kong]/Kinavesa Enterprises)

[release date 30th March 1975, Hong Kong titles “Fei Hu Shen Tan”, “Da Du Xiao” and “Tiger Force”; released in Italy as “La Fuerza De Tigre” and in Spain as “Gángsters Policía y Kárate”]

Directors Joseph Kong [Hung], Danny Ochoa Writer Joseph Kong [Hung] Producer Wong Cheuk Hon Action Director Yuen Woo Ping Presenter Wong Cheuk-Hon

Cast Sing Chen [also listed as Chen Xing], Jeanne Young, Lotis Key, Protacio Dee, Jim Delon, Rodolfo 'Boy' Garcia, Mark LeBuse, Chang Lee, Michael Chan Wai Man [also listed as Chan Wei Ming], Maricel Soriano, “Bruce Chen”/Bruce Tong Yim Chan, Jimmy “Lee”/Lung Fong, Cheung Lik, Yukio Someno, Jimmy Lung Fong, Wong Mei, Sham Chin-Bo, Mung Lai Sha

Depending on which source you read, Tiger Force is either a Japanese or American production. This is a moot point, since the whole megillah takes place in Manila. The hero is a local cop, who goes undercover to investigate a tricky kidnapping case. The victim has tenuous ties with people on both sides of the law. The detective digs deeper, and discovers that the abduction is linked with the Manila drug trade. ~ Hal Erickson, All Movie Guide

1975 - Sleeping Dragon (Sultan/Emperor)

[release date 24th April 1975]

Directors Ishmael Bernal, Jimmy Pascual Screenplay O. San Juan Music L.D. San Pedro Cinematography Chris Chang

Cast Raymond Lui, Lotis Key, Eddie Garcia, Charlie Davao, Chan Ling Wai

1975 - Son Of Fung Ku (RVQ Productions)

[release date 4th July 1975]

Director Jose "Pepe" Wenceslao Screenplay Jett C. Espiritu, Bert R. Mendoza Executive Producer Dolphy [as Rodolfo Vera Quizon] Music D. Salustiano Cinematography Manuel Bulotano

Cast Dolphy Jr, Panchito, Leila Hermosa, Coney Reyes, Pugo

1975 - Mababagsik Na Anghel (Ophelia San Juan)

[release date 1st August 1975, export titles "Bamboo Trap" and "The Black Panther Of Shaolin"]

Director/Screenplay Ernesto Ventura Cinematography F. Sacdalan, H. Fallorin Music D'Amarillo

Cast Leo Fong, "Ronnie"/Ron van Clief, Lotis Key, Chanda Romero

1975 - Subok Na Matatag (Cubao Cinema)

[release date 26th December 1975]

Director Butch Bautista

Cast Roberto Gonzalez, Rodel Vaval, Lorna Tolentino

Article from Fighting Stars magazine (April 1976)

1976 - The Enforcer From Death Row (Filmmakers/Koinonia Psi West Productions)

[Philippines release date 9th July 1976, original title "The Outside Man"; also released as “Ninja Assassins”, “The Ninja Enforcer” and “Ninja Nightmare”]

Directors Efren C. Pinon, Marshall M. Borden Producer/Writer Leo Fong

Cast Leo Fong (T.L. Young), Darnell Garcia, Lotis Key, Ann Farber, “B.T.”/Booker T. Anderson, George Estregan, Charlie Davao, Cameron Mitchell, [uncredited] John Hammond, Mariwin Roberts

1976 - The System (Metropolitan Films)

[release date 5th October 1976, released in the US as “Blind Rage” in 1978]

Director Efren C. Piñon Writers Jerry O. Tirazona, Leo Fong Editor Edgardo “Boy” Vinarao

Cast Tony Ferrer (Ben Guevara), Leila Hermosa (Sally), Leo Fong (Lin Wang), Charlie Davao (Johnny Duran), Fred Williamson (Jesse Crowder), Carlos Padilla Jr (Captain Reyes), D'Urville Martin (Willie Black), Dick Adair (Anderson), Darnell Garcia (Hector Lopez), Golay, B.T. Anderson, Jose Garcia, Romy Nario, SOS Daredevils

1976 - Shaolin Master (Luis San Juan Productions)

[release date 19th November 1976]

Director Ronaldo San Juan Screenplay Ben Peralta Music C. Rodriguez Cinematography Joe Tutanes

Cast Rey Malonzo, Tange, Suzanne Gonzales, Ingrid Salas

1977 - The Dragon, The Lizard, The Boxer (Jowell Films)

[aka The Dragon, The Lizard; The Dragon, The Lizard and The Boxer]

Directors Lo Ke, Ngai Lai

Cast Ramon Zamora, Delon Tam [sometimes listed as “Tan”], Meng Fei (Wu Ting), Edna Diaz, Tan Tao-Liang, Philip Coo, Stichin Tam, Yiu Lam Chan, Fong Lung, Chui Meng

1977 – Mga Dragon Sa Gubat (RPM)

Director Junn Cabreira Screenplay R.P. Mariano

Cast Ramon Zamora, Harry So, Brenda del Rio, Dante Varona, Charlie Davao

1977 – Golden Chaku (Luis San Juan Productions)

[release date 8th July 1977, export title “Bruce And The Golden Chaku”]

Director Ronaldo San Juan Screenplay M. Ramirez Cinematography Joe Tutanes Music C. Rodriguez

Cast Ramon Zamora, Rey Malonzo [listed in export prints as “Bruce Ly”], Evangeline Pascual, Suzanne Gonzales

1978 – Cimarron Duplicado (Luis San Juan Productions)

Director Ronaldo San Juan Screenplay Manuel Ramirez Cinematography T. Ongleo

Cast Philip Gamboa, Ramon Zamora, Arlene Sison, Mitos del Mundo, Tsing Tong Tsai, Don Pepot

1978 - Chop Suey Met Big Time Papa (Liliw Productions)

Director Dante "Boy" Pangilinan Screenplay Coran Ridon Caballes Music Anthony Castillano Producer "Twinkle”

Cast Ramon Zamora (Chop-Suey), Weng Weng (Big Time Papa)

1978 - Bruce Liit (D’Wonder Films)

Director Jen

Cast Niño Muhlach (Bruce), Ramon Zamora, Rey Malonzo, Philip Gamboa, Anna Marin, Beth Bautista, Larry Esguerra, Fred Esplana, Tange, Omar “Boy” Camar, Ruben Ramos, Ben Datu, Rey Sagum, Carlos Diaz, Rod Francisco, Doming Reyes, Jimmy Reyes, Ernie David

1978 - Ang Dragon Sa Maskarang Bakal (Saturn Film International)

Director Ronaldo P. San Juan Story/Screenplay Manuel Ramirez Music Pablo Vergara Cinematography Joe Tutanes

Cast Ramon Zamora, Val Iglesia, Tsing Tong Tsai, Robert Talvy (Talby?), Don Pepot, Catherine Santos, Angel Confiado, Robert Miller, Pons de Guzman, Carlos Diaz, Romy Santiago, Mel Arca, Doming Reyes, Mando Mangatin, Rod Francisco, SOS Daredevils, Jeriza Zodel (?)

1978 – Ang Hari At Ang Alas (Lea Productions)

Director Ronaldo P. San Juan Story/Screenplay Manuel Ramirez, Ronaldo P. San Juan Cinematography Joe Tutanes

Cast Ramon Zamora, Rey Malonzo, Paquito Diaz, Val Iglesia, Tsing Tong Tsai, Sarah Gumbao, Gwendolyn Yee, Jasmin, Dinah Dominguez, Robert Lee

1978 – Kambal Dragon (Archer Productions)

Director/Story/Screenplay Artemio Marquez Producer Michael Angelo Bernos Music Angel Cruz Cinematography Ramon Sanchez

Cast Ramon Zamora, Rey Malonzo, Edna Diaz, Rodolfo “Boy” Garcia, Linda Lee, Tintoy, Nieves Manuel, Tsing Tong Tsai, Mitos del Mundo

1978 – The Deadly Rookies (Movie Masters/Film Patterns International)

Director/Story Junn P. Cabreira Music Demet Velasquez Cinematography Joe Tutanes

Cast Ramon Zamora, Rio Locsin, Rey Malonzo, Joma Magistrado, Willie Milan, Dan Lawyer, Ibrahim Muhammed

1978 - Shanghai Joe (GPS)

[release date 17th April 1978]

Director Jett C. Espiritu Screenplay Vic Poblete, D. Roman Cinematography Joe Tutanes Music D. Velasquez

Cast Dante Varona, Rey Malonzo

1978 - Bruce Volcanic Kicks (Cubao Cinema)

[release date 5th November 1978]

Director Pons Orbeta Cinematography Mando Dulag Editor P. Ramos

Cast Ramon Zamora, Rey Malonzo, Tsing Tong Tsai, Ernie Ortega

1978 - The Shadow Of Bruce Lee (Benny Manalo)

[release date 30th November 1978]

Director/Screenplay Ronaldo San Juan Cinematography Rudy Castillo

Cast Robert Lee, Ruben Ramos, Charo Valdez, Robert Miller

1979 – Dakipin… Killers For Hire (DSF Film Productions)

Director Junn P. Cabreira Story/Screenplay Manny Ruta Music Demet Velasquez Cinematography Rudy Dino Editor Segundo Ramos

Cast Rudy Fernadez, George Estregan, Ramon Zamora, Dante Varona, Susan Valdez, Veronica Jones, Romy Diaz, Dencio Padilla, Baldo Marro, Carlo Fernando, Larry Esuerra, Avel Morado, Romy Nario, Mel Arca, Romy Blanco, Rod Francisco

c.1979 - Mantis Boxer (Saturn Films?)

[Note: “Mantis Boxer” is the export title of either Deadly Games (Saturn Films, 1979) or Diego Asero (Saturn Films, 1980), both starring Ulysses Tzan and directed by Ronaldo San Juan]

Director Ronaldo P. San Juan Producer Ruben ‘Che’ Guevarra Advisor Jun Molina

Unconfirmed crew (listed on poster, not credits): Story/Screenplay Deo Careza Cinematography Joe Tutanes Editor Joe Solo

Cast "Ulyssess Chan"/Ulysses Tzan (Trigo), Tony Bernal, Dinah Dominguez, Larry Silva, Ruben Ramos (Mr Algado), Robert Talvy, Bong Benitez, Polo Chi, Roland Fulcis, Jaye Fabello, Niele Lee, Jess Bonzo, Angel Confiado, Francisco Cruz, Jun Rivas, Mando Mangarin, Ike Amata, Teddy Vito, Tony Lao, Jack de la Cruz, Rudi Lopez, Jun Matagay

1979 - Ahas Sa Pugad Ng Lawin/“Snake In Eagle’s Nest” (Eldee Films)

Director Nilo Saez Screenplay O.B. Pangilinan, Antonio Hernas Producer Roy Rustan Cinematography R. Remias Music D. Velasquez

Cast Roy Rustan, Elizabeth Oropesa, Laila Dee, Roberto Gonzales, Ramon Zamora, George Estregan

1979 - Bruce The Super Hero (Dragon Films Company)

[also released as “Super Hero” and “Bruce The Superhero”]

Director/Producer/Action Director Bruce Le Executive Producer Dick Randall Writer Fan Poon Supervising Producer Leung-On Cheng Music Lawrence Chan Cinematography Hak-Wai Ho Editor Robert Choi Production Manager Chun-Man Chan Sound Effects Lawrence Chan Dubbing Supervisor Leung-On Cheng Planners Lawrence Chan, Hak-Wai Ho

Cast Bruce Le (Bruce), Lito Lapid (Rocky Robledo), Azenith Briones (Martel), To Kong (Kong), Yang Sze [aka Bolo Yeung] (Bullkiller), “Chai Ching Tao”/Tao Chang (Peter Sze), Mike Cohen (Italian gangster)

1979 – Ang Tsimay At Ang Tambay (Movie Masters)

[release date 4^th February 1979]

Director/Story Junn P. Cabreira Music Demet Velasquez Cinematography Ricardo Remias Editor Segundo Ramos

Cast Nora Aunor, Rey Malonzo, Freddie Yance, Veronica Jones, Soxy Topacio, Romy Diaz

1979 – Chopstick Kid (C.G. Films International)

[release date 30th November 1979]

Director Jun Gallardo

Cast Lito Lapid, Anna Marin, Paquito Diaz, Ingrid Salas, Yoyoy Villame, Teroy de Guzman, Jack Lee, Mike Cohen, Tsing Tong Tsai, Arturo “Bomber” Moran, Robert Rivera, Eddie Nicart, Amay Bisaya, Bong Chi, Yvette Christine

1979 - Deadly Fighters (Twin Dragon Films International)

[release date 8th December 1979]

Director Reginald King Cinematography Joe Tutanes

Cast Tony Ferrer, Roberto Gonzales, Rey Malonzo, Erin Murphy, Romy Diaz, Tsing Tong Tsai, Don Pepot, Danny Rojo, Val Iglesias, Rey Sagum, Ben Datu, Conrad Woalkees, Larry Esguerra, Steve Alcarado, Danny Zurbano, Rocco Montalban, Paquito Salcedo [Max Alvarado – not listed on poster]

1979 – That Man From Shanghai (AP)

[release date 14^th January 1979]

Director/Screenplay Jett C. Espiritu Music D. Velsaquez Cinematography Joe Tutanes

Cast Ramon Zamora, Arturo Moran, Ernie Ortega, Joaquin Fajardo

1979 - The Tiger And The Lady (Rootman)

[release date 25th March 1979]

Director Junn P. Cabreira Screenplay Joe Tutanes Music Demet Velasquez Editor Segundo Ramos

Cast Rey Malonzo, Donna Villa, Romy Diaz, Veronica Jones

1979 - Twin Fists For The Blackmasters (Twin Dragon)

[release date 7th June 1979]

Director/Screenplay "Reginald King"/Rey Malonzo Cinematography Joe Tutanes

Cast Rey Malonzo, Jack Lee, Donna Villa

1979 – Shake Dragon Connection (Cubao Cinema)

[release date 14th June 1979]

Director Ding Pascual Editor Pat Ramos

Cast Ramon Zamora, Val Iglesias, Karinna Mathias, Tsing Tong Tsai, Ernie Ortega, Amay Bisaya

1979 – They Call Him Bruce Lee (Kinavesa International)

[release date 19^th July 1979]

Director/Screenplay Jun Posadas Cinematography Joe Tutanes Music Totoy Nuke Editor Nap Montebon

Cast Rey Malonzo, Philip Gamboa, Donna Villa, Manny Luna, Ike Lozada, Sarah Gumabao, Jack Lee, Veronica Jones, Don Pepot, Richard Olney, Don Gordon, Joe Garcia, Butch Weber, Clem Fernandez, Tony Lao

1979 - Arnis, Karate, Kung Fu (Luis San Juan Productions)

[release date 7th September 1979]

Director Luis San Juan Screenplay M. Panganiban Cinematography J.Q. Monteloyola Editor Rodel Capule

Cast Ramon Zamora, Robert Lee, Tony Bernal

1979 - Final Showdown (JPM)

[release date 12th October 1979]

Director Leonard Pascual

Cast Rey Malonzo, Jacky Lee

1979 - Bionic Dragon (Action)

[release date 26th October 1979]

Director Jose “Pepe” Wenceslao Screenplay Fernando Stanquita Music Ernani Cuenco Cinematography Oscar Querijero

Cast Rudy Genaskey, Boy Fernandez, Dina Rose

1979 – Arnis: The Stick Of Death (M-Kor Productions Inc)

[release date 8th December 1979; also known as “Arnis”, released on Australian VHS as “Sticks Of Death” and on Finnish VHS as “Arnien Tappavat Kädet”]

Director/Story/Screenplay Ave C. Caparas Executive Producers Fred Farquar, Dr Frank Schlercio Jr Associate Producer Rolando Pintoy

Cast Roland Dantes (Johnny Guerrero), Ann Lim (Vicky Lopez), Teody Belarmino (Granpa/Arnis Master), Rusty Santos (Pete Mendoza), Natalie Kazan (Teresa), Cherie Gil (Cherry), Perry Baltazar (Ricky), Mario Montenegro (Don Carlos), Rosemarie Gil (Dona Clara), Anita Linda (Aling Rosa), Chico Ponce Enrile (Captain Adriano), Dr Frank Schlercio Jr (Frank Santini), Frederick Farquar (Moratto), Veronica Jones (Salome), Marilou Ver (Gina), Rodolfe ‘Boy’ Garcia (Benny), Angel Confiado (Lieutenant Mendoza), Renato Robles (Narco Man #1), Tony ‘Blade’ Martinez (Narco Man #2), Joe Cantada (Emcee), Carlos Diaz (Magno), Joe Cunanan (Golem), Rocco Montalban (Basketball Player), Enrique ‘Tintoy’ Ariega (Taho Vendor), Vic Sanchez (Sgt de la Cruz), Richard Olney (Joe), Stanley Johns (Dominic), Joaquin Fajardo (Bong), Avel Morado (Avel), Peping Escucia (Sex Moviegoer) Ricky’s Men Protacio Dee, Renato Del Rado, Romy Nario, Jun Santos, Peping Castor, Jing Caparas, Leo Longalong, Norstor Brillantes Basketball Players Lito Francisco, Leo Conception, Benny May, Mel Arca, Rey Sagum Pachers Max Rojo, Ben Datu, Leon Palaron, Bert Vivar, Chito Baron, Che Lagdamco, Joe Andrade Arnis Players Orlando Miguel, Mario Lagdamco, Rudy Aquino

1980 – The Revenge Of The Lady Fighter (Juver Productions)

[distributed by Hong Kong’s Mirabelle International as “Revenge Of Lady Fighter”]

Director “Junar”/Jun Aristorenas Story/Screenplay Greg B. Macabenta Cinematography Max dela Pena Editor Nonoy Santillan Assistant Director Dante Javier Production Manager Angel Barcena Makeup Artist Manahan Sister Special Effects Joe Gadores Titles Bert R. Mendoza, Rey H. Samson Laboratory Technicians Geronimo Cabrales, Alex Cabrales Assistant Cameraman Ver Reyes Soundman Moises Suarez Sound Supervision Ben Patajo Assistant Film Editors Romy Salas, Ricardo Crisostomo

Cast Virginia, Rolando Gonzalez, Teroy de Guzman, Ernie Ortega, Rudy Rolloda, Ruben Ramos, Palito, Ariston Bautista, Charlie Mendez, Greg Lansang, Manny Tibayan, Ernie Perez, Tony Villar, Ernie David, Jun Dellosa, Ben Sanchez, Joe Estrada, Doming Reyes, Bernardo Samio, Jun Laynes, Joe Roman, Manuel de Leon, Bernie Bernal, PMP Commandos

Review by Robert Harkin

After a small village is attacked by a gang of vicious bandits, one of the village women, Rosa, is saved by mysterious martial arts master Ming, who offers to teach the men of the village the art of unarmed combat. Initially sceptical, Ming soon persuades them by punching a few of them and tossing them around a little. As they train themselves to fight, however, the bandits are scheming to return to their village and plunder it once more.

Ming gives the men of the village some medallions - symbols of their loyalty, righteousness, and transformation into a fully-trained fighting force - and makes them promise never to use their skills for evil or revenge. And sure enough, when the bandits return, they get a severe beating and run crying back to the chief goon. "We'll kill the men, women and children. They will all pay for this," he vows. Although armed with huge machetes, the bandits are no match for the villagers, and even Palito gets in on a little monkey-style kung fu action. However, the villagers break their vow and, egged on by head villager Nardo, kill off the remaining bandits, despite Ming's protests, with only good-guy Lewel refraining from the bloodshed. "He was an enemy, yes. But he could no longer fight you. He was begging you to spare his life," moralises Rosa.

When the villagers return home that evening, flushed with victory and booze, Nardo attempts to drag Rosa away and have his wicked way with her. After Ming beats up the unruly mob, Nardo sneaks up behind him and stabs him in the back with a machete. Ming dies with a warning on his lips: "This evil thing is just the beginning..."

With Palito looking on and wincing from time to time, Rosa begins training herself to avenge Ming's death, including some King Boxer-style iron palm training, and the classic 'mediating under a waterfall' bit that no martial arts training montage is truly complete without.

Meanwhile, Nardo and his gang invade a house in the woods and relieve it of all its money and valuables; it has an armed guard, so they were probably ill-gotten gains anyway. They then hijack a bus, which seems less justifiable, as it doesn't seem to be full of drug dealers or anything. Clad in black uniforms, they are now known and feared as 'The Black Gang'.

Lewel, who is now a policeman, and Rudy (who I don't remember being in the film before, but the film itself seems to think otherwise, so who am I to argue) meet Rosa and Palito in the woods and get down to some light exposition. It seems that Nardo's gang has recently incorporated some other band of goons, and that Lewel has been charged with the task of tracking them down in Bicol. Rosa offers to come with, but Lewel tells her it's too dangerous. Exposition over.

Lewel and Rudy find members of Nardo's gang in the woods and try to take them in, but they put up a big stinker of a fight, and both Rudy and Lewel are wounded. Rosa shows up in the nick of time, though, and beats Nardo's man into the ground in the film's most exciting and sustained fight scene so far. Just as she's about to deliver the fatal blow, Lewel reminds her that killing goons just isn't cricket, so she makes do with taking his medallion from him.

Rosa then sets about putting an end to Nardo and his criminal shenanigans, making her way, in classic kung fu style, up to the final villain as though climbing on a ladder of severely battered goons...

One interesting thing about this film is that the villains which our heroine is forced to confront are the same people who, in the start, were themselves the helpless victims of rapacious bullies; not exactly standard fare for a martial arts revenge picture, although you can see a similar thing going on in Tyrone Hsu's 'The Assignment'. Nardo's gang even wear the medallions given to them by Ming, highlighted by their black outfits, which seems a deliberate mockery of Ming's values and a twisted inversion of everything he tried to teach them.

The fight scenes aren't as well-conceived or as crisply executed as they are in their Hong Kong counterparts; in the first half of the film, before Rosa joins in the fray, all the fights are big rollicking stuntmen brawls, but they're good fun nevertheless. Once Rosa gets her fu on, however, the fight scenes improve by several hundred percent, as Virginia, an experienced action star, brings not only a practiced athleticism to her fights, but also a kind of intensity bordering sometimes on desperation. Her hunger for revenge is palpable, and her frustration at being denied the satisfaction of killing is quite persuasive.

'Revenge of a Lady Fighter' doesn't seem to be the original title; the Hong Kong distributors, M/S Mirabelle International, have clearly added the red title cards (the first of which reads 'Revenge of Lady Fighter', while the second more accurately reads 'The Revenge of the Lady Fighter') to the title sequence, so it's not clear yet what the original title was. None of the films listed in the available information online seem to match, and the only review I can find is a disapproving little squib in German. Even the year of release is no better than an educated guess. Another curiosity we can probably thank the HK distributors for is that the film opens with a scene that occurs chronologically much later in the film. This is presumably to get the attention of the audience and reassure them that there will, in fact, be a lady fighter somewhere in the film, and that in the course of the running time, she will exact a certain amount of revenge. This counter-intuitive technique of hooking the audience with footage taken from the last third of the film was much loved by Sandy Frank, who distributed a lot of of Toho and Daiei monster films in the sixties and seventies.

Directed by 'Junar' (Jun Aristorenas) and starring his wife Virginia, 'The Revenge of the Lady Fighter' is a thoroughly entertaining film, and a surprisingly obscure one. Despite the arguably regional bursts of humour from Palito (and another comic actor I haven't identified), this is a supremely exportable film which could have played anywhere there was an audience for martial arts revenge films. Incredibly (considering this is the husband-and-wife team behind 'Batwoman and Robin Meet the Queen of the Vampires'), there are no wild leaps of improbability or savage assaults on credulity, there are no eyesores of low production value, and even the dubbing, although heavily accented, is intelligible and rarely silly (although I did smile somewhat when the police chief told Rosa "I am clothing you in the authority of the law"). So it's hard to imagine why even among fans of kung fu films this is a practically unknown film, as it's a solid pleasure to watch.

1980 – Pedrong Palaka (Twin Dragon Films International)

[release date 25th April 1980]

Director “Reginald King”/Rey Malonzo

Cast Rey Malonzo (Pedrong Palaka), Boy Fernandez, John Chan, Christina Diaz, Don Pepot, Katherine Santos

1980 - Bruce's Fists of Vengeance (Kinavesa International)

[Philippines release date 22nd August 1980, original title "Fist Of Vengeance". Onscreen title is "Bruce’s Fist Of Vengeance", sometimes listed as "Bruce Lee’s Fists Of Vengeance"; released on German VHS as “Bruce Le - Faust Der Rache”, on French VHS as “Le Poing Vengeur de Bruce” and “La Vengeance du Ninja”, on Spanish cinema release as "La Gran Venganza de Bruce Le" and on Spanish VHS as “La Venganza de Bruce”]

Director/Supervising Editor Bill James Story/Screenplay Bugsy Dabao, Bill James Producer K.Y. Lim Cinematography Popoy Orense, Vic “Anao”/Anders, Felizardo Bailen Fight Director Bruce Le Music Totoy Nuke Assistant Editor Jaime Solo Production Manager Noli Villar Assistant Director Bugsy Dabao Cameramen Rolly de Rosa, Rey de Leon Stillman Sandy Garcia Makeup Artist Soledad Mauricio Script Secretary Lina Marcaida Transportation Manager Julie Calma Catering Aurora Villarmino Special Effects “Sabu” Gallardo Sound Supervisor Bimbo Chong Sound Effectsman Serafin Dineros Titles Nicdao & Co

Cast Bruce Le (Peter), Jack Lee, Romano Kristoff (Miguel), Manny Luna, Eve Wong, Micci Clark, “Karla”/Carla Reynolds, Ken Watanabe, Raymond Lau, Don Gordon [Bell] (Miguel's henchman), Tony Lao, James Gaines, Russel Jenkins

[NOTE: Bill James was an American-born producer with Bates Alcantara Advertising Agency and was responsible for selling McDonalds and Adidas to the Philippines; he later ventured into filmmaking via Mr Lim]

Review on the “Return Of The Ninjas” website:

‘The Legend of Bruce Lee Lives On’, the tagline on the cover of a certain American release screams. It most certainly does, but sadly not in this film. ‘One of the most thrilling films on the topic Bruce Lee’, the covertext of the German tape release states. That’s a rather shameless exaggeration, I have to say. BRUCE’S FISTS OF VENGEANCE is a hilarious Brucesploitation epic with a great cast (who can’t act if their lives depend on it) and some hair-raising moments of incompetence. Let’s take a look at the stars first. According to the German cover artwork, we have: Bruce Le (Jett Kune Do Master), Jack Lee (Hong Kong Kung Fu Champion 1979), Romano Kristoff (European Tee Kwon Do… what? Neither master nor champion?), Ken Watanabe (Japan Master Samurai), James Gaines (= Jim Gaines, Kare Shukokai Champion), Don Gordon (U. S. Kemo 1st Place Int’l. Championship 1975), and Russell Jenkins (U. S. Air Forces Light Heavyweight Champion). Sounds impressive, doesn’t it? Romano Kristoff (DOUBLE EDGE, 1986), Ken Watanabe (NINJA WARRIORS, 1985), Jim Gaines (BLACK FIRE, 1985), Don Gordon (WHEELS OF FIRE, 1985), and Carla Reynolds (RAW FORCE, 1982) appeared in many low budget Filipino action flicks throughout the 1980s, and Bruce Le (CHALLENGE OF THE TIGER, 1980), born as Kin Lung Huang, was one of the most famous Bruce Lee ‘clones’ after Mr. Lee’s untimely death.

So the big question is: can a movie with such a fantastic (in my opinion, anyway) cast really be bad? Oh yes, it most certainly can. From a technical point of view, BRUCE’S FISTS OF VENGEANCE is a disaster. Period. The acting abilities of all involved, the dreary camerawork, the inept editing, the below average score, the uninspired and dull direction, the jaw-dropping errors in continuity… really, this flick is a catastrophe in that respect, and not a small one. Luckily, it is very entertaining too. It kicks off with one of those nice training sequences, where the master (Bruce Le) shows some more-or-less impressive moves that are repeated by his students. In the background, on the wall, there’s a poster of the real Bruce Lee. This poster (or a similar one) makes quite a few appearances in the course of the movie. You can make a drinking game out of this fact. Each time the poster can be seen, you have to empty your glass. Good luck! Bruce Le is perfectly trained and he knows how to fight, but he lacks the charisma that makes Bruce Lee so unforgettable. It doesn’t help that he tries to imitate his model for all he’s worth. Bruce Le is also credited as the fight director, and the (many) fights are certainly the best part of the film. In the middle of the flick a Ninja appears (well, the guy’s dressed like a Ninja), but he is no match for our hero and is dead before you can say “Oh… a Ninja!”. No more Ninjas, but at least a Samurai makes an appearance later. There are a few scenes where people are training with nunchakus and this looks very impressive. Credit where credit’s due. Jim Gaines has a thankless role as a student who is not only beaten up by Jack Lee but also humiliated quite a bit. I could also have done without the brutal cockfights that go on until both cocks lie on the ground motionless.

BRUCE’S FISTS OF VENGEANCE doesn’t take itself too seriously… there are a few humorous moments thrown in for good measure, sometimes during the fights. The German dubbing is even worse than the actors; as impossible as this sounds, it’s true. The girls are nice to look at though. As a motion picture, BRUCE’S FISTS OF VENGEANCE is stunningly bad. However, as a cheap Brucesploitation flick, it serves its purpose and – because of/despite its countless shortcomings – it’s very entertaining and amusing… for all the wrong reasons! I hope that Bruce Lee doesn’t rotate in his grave, but I’m quite sure that his die-hard fans are annoyed black and blue about this particular chop socky flick. Fans of bad movies, however, should love this one. The absolute high (or low) point (depending on one’s view) of this Eastern is the overlong showdown that has to be seen to be believed. Yes, it’s that great. And with great I mean hilarious. “Come on, let’s go home, Peter”, Bruce Le’s girlfriend says in the end, and he replies with “Yes. Kiss me!” The End. I have only seen a handful of Brucesploitation flicks so far, but if all of them are such stupid, laughable rubbish I’ve got to check out more of ‘em.

1980 – Pinoy Boxer (Ultra Vision Films)

Director Leonardo “Ding” Pascual Screenplay Naning Estrella Cinematography Pol Cuenco

Cast Rey Malonzo, Jack Lee, Cecille Castillo, Boy Fernandez, Ernie Ortega, Don Pepot, Matimtiman Cruz, Pons de Guzman, Allan Shishir, Jet Sahara

1980 – Bruce And The Shaolin Bronzemen (Asso Asia Films)

[also released in Britain as “King Boxer II”, in France as “Viva Bruce Lee” and on US DVD as “Enter The Game Of Shaolin Bronzemen”; unconfirmed aka titles include “Le Vainqueur” (France), “San Lung Maang Foo” (HK)]

Director Joseph Kong Cinematography Gary Ho Editor Segundo Ramos Assistant Director Teddy Chiu

Cast Bruce Le (Wong Chan Lung), Lita Vasquez, Chang Lee, Ruby Anna, Cloyd Robinson, Nona Herrera, Vivian Velasco, Ernie Ortega, Tsing Tong Tsai, Angel Confiado, Ruben Ramos, Jimmy Cruz, Romeo Blanco, Joe Canlas, Ely Refuerzo, Ed Ramos, Bill Feijoo, Nanding Dela Cruz, Paeng Giant, Perry Boy, Peedoy, D’Vultures, SOS Daredevils

1983? – Force Of The Shaolin Boxer (Twin Dragon Films/Cinex Inc/F. Puzon Film Enterprises Inc)

[original Filipino title and release date unknown]

Director “Reymond”/Rey Malonzo Music Snafu Rigor Cinematography Ver Dauz Editor Joe Mendoza Sound Effects Editors “Jhun”/Jun Cabrales, Rudy Cabrales Sound Supervisor Rolly Ruta Assistant Editors Rogelio Betez, Bonnie de Guzman

Cast “Reginald King”/Rey Malonzo, Johnny Leoncio, Arthur Simon, Sandra Dee, Sheryl Monario?, Dante Javier

Agent 00 (1981) complete stills!

Weng Weng's first feature as the two-foot-nine Agent 00 (1981) is still MIA, but here's the set of theatrical stills to give you a taste of 00's debut!

Many thanks to the Mowelfund Library in Quezon City for giving me access to their photo archives, and to Nina Dandan for photographing and cropping each image.

Yes, that's Dolphy! The Pinoy King of Comedy makes an unbilled cameo as a favour after Weng Weng's appearances in three Dolphy vehicles (The Quick Brown Fox, Stariray and Da Best In Da West)