THE
LAST PINOY ACTION KING REVIEWS
Cinema Crazed (Emilie Black) “...a very informative piece on a beloved
actor… This film might just make every viewer a fan of Daboy.”
Cinemadrome
(Robert Monell) “...another highly entertaining, informative,
ultimately moving chronicle of a kind of cinema which existed at a
certain time and in a specific culture which is now long gone, but
not forgotten…. This is the rare film which leaves you wanting
more, you don't want it to end.”
Coolman0304’s My Movie World
“Overall this documentary film is a remarkable way of knowing a
film icon.” (3.5/5)
Critic After Dark (Noel Vera) “What Leavold gives us is an affectionate
portrait of a basically decent man; if the end result is
unadventurous it's also surprisingly moving...”
Die Danger Die Die Kill (Todd Stadtman) “...while
perhaps a less ‘gonzo’ film than The Search For
Weng Weng, is arguably a more mature one. Whether you prefer that or
not is up to you. To me, it’s a symptom of versatility that bodes
well for the future of both men as filmmakers worth watching.”
The Film Geek Guy (Matthew Escosia) “This is a lovely tribute to Daboy.
Directors Andrew Leavold and Daniel Palisa managed to garner
interviews of his family members and friends in the industry whose
love and passion on the actor was evident in the entire film.”
(9/10)
Filmink
(Travis Johnson) “...an engaging journey through that country’s
fascinating and often turbulent political and cultural history…
Occasionally the film gets a little too ‘inside baseball’ as it
delves into some of the more obscure elements of Filipino film
without leaving enough breadcrumbs for a less knowledgeable viewer to
follow, but nonetheless this is a fascinating portrait.”
Film Police (Armando
dela Cruz) “The
result is in the whole effective—insights from colleagues,
relatives and friends (Chanda Romero, Robin Padilla, and Phillip
Salvador among others) almost make for an entire oral history of
studio filmmaking in the Philippines...” (3.5/5)
Glitter
(Nonoy L. Lauzon) “The docu worthy of wide theatrical release also
regales audiences with a precious plethora of tidbits, trivia and
anecdotes that may be cherished not for their nostalgia value alone.
More than anything else, they serve as enduring testimonials to an
industry that never lacked for glory days and the means to actually
relive and recoup them someday.”
Pcheng Photography (Ica Hontiveros-Cheng) “An unexpected treat… The Last
Pinoy Action King is a rare gem, which looks which should not be
missed by movie fans and history buffs, especially if they are big
fans of Daboy.”
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