1975 – Sudden
Death (Topar Films/Caruth C. Byrd Pictures Inc/Hemisphere Pictures
[Philippines])
[American
co-production with Eddie Romero’s Hemisphere Pictures, filmed in
English; released in Mexico as “Muerte Violenta”, and in Finland
as “Tuhoojat”]
Director/Philippines
Producer Eddie Romero Writer Oscar Williams Producers J. Skeet
Wilson, John Ashley Executive Producer Caruth C. Byrd Associate
Producers Chuck Courtney, Harry Kohoyda Jr Cinematography Justo
Paulino Music Johnny Pate Editors Edward Mann, [uncredited] Monte
Hellman Associate Director Eddie Garcia
Unlisted on US
credits: 1st Assistant Editor Soly Bina Music Editor Ving Hershon
Production Co-Ordinator Harry Kohovda Jr Production Manager Mario
David Script Supervisor Boots Wilson Fernandez 2nd Assistant Rodolfo
Dabao Jr Production Secretary Lolita Abesamis Assistant to the
Producers Harriet Bergere Production Designer Roberto A. Formoso
Decor Francisco Balanque Special Effects Supervisor Teofilo Hilario
Stunt Co-Ordinator Chuck Courtney Makeup Supervisor Tony Artieda
Wardrobe Supervisors Romme Valencia, Beth Heyres Propmaster David
Delina Ordinance Denis V. Juban Stills Carl Kuntze Post-Production
Supervisor Eric Jeffrey Haims Production Sound Mixer Rustie Castro
2nd Unit Cameramen Proceso Lazaro, Edmund Cupcupin, Jess Masangkay
Post-Production Recording Cinesound Music Supervisor J. Skeet Wilson
Cast Robert Conrad
(Harrison “Duke” Smith), Don Stroud (Dominic Elba), Felton Perry
(Wyatt Spain), John Ashley (John Shaw), Thayer David (Hauser), Alina
Samson, Larry Manetti, Caruth C. Byrd, Chuck Courtney, Ken Metcalfe
(Edward Neilsen), Jenny Green, Jess Barker, Nancy Conrad (Melissa
Smith), Angelo Ventura, Eddie Garcia (Raoul Hidalgo), Conrad Poe
(Brownhats Leader), Tony Gonsalvez, Rocco Montalban (Reuben Gasca),
Robert Rivera, Angie Ferro, Joanna Ignatius, [uncredited] Vic Diaz
(Carnival Barker), Romy Nario (Bar Goon) [Also listed on the IMDB but
not on credits: Bill Raymond, Ron Vawter]
Mini-review by
Andrew Leavold
It’s a supreme joy
to watch two of the the great 70s tough guys, Robert Conrad and Don
Stroud, pound each other into bloodied mince in a Manila meat works
in Eddie Romero’s bleak, black and breathtakingly suave B pic. An
international sugar company’s left-leaning President (Ken Metcalfe)
watches helplessly as he is shot and his family massacred in the
film’s distinctly unsettling opening, and tries to enlist the help
of retired CIA man and now beach bum “Duke” Smith (Conrad) before
his car in blown to smithereens. The firm’s go-to man (John Ashley)
sets up the local anti-corporate activist Brownhats (led by Fernando
Poe Jr’s half-brother Conrad) to take the fall, but Duke and his
former CIA cohort Wyatt (Blaxploitation regular Felton Perry) decide
to take on the company in an all-out war. The two-thirds mark signals
Stroud’s entrance as Dominic Elba, a dandy top-dollar assassin and
Duke’s respected adversary, and the film subsequently hurtles from
one bloodied squib to endless shotgun blasts and its ultimately dour
ending with a ferociously assured hand. Romero’s gallows humour
from Savage Sisters (1974) is on display (see the brothel scene where
a judge is caught with a sheep!) within his characteristically
literate and imaginative camera frame; the leads are uniformly
excellent, as is Eddie Garcia (also “Associate Director”) as the
company’s local Machiavellian representative, Thayer David as the
slimy Teutonic chairman and child molester, and the late great Vic
Diaz as an uncredited carnival barker. Also missing from the credits
is Monte Hellman, Romero’s associate on Flight To Fury (1963), as
co-editor.
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